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Yasmin Omar
The Curzon Journal
4 days ago
4/5
His work is an appealing mix of sweetness, sourness and spiciness, where trinkets and baubles lure you in, and ideological daring knocks you out.
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I Love Boosters
(2026)
92%
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Yasmin Omar
The Curzon Journal
Jun 30, 2026
3/5
Remove the smattering of references to podcasts and dating apps, and The Invite could easily take place in 1977, with its Woody Allen clash of uptight, therapised neurotics and liberated, truth-telling interlopers.
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The Invite
(2026)
96%
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Yasmin Omar
The Curzon Journal
Apr 2, 2026
4/5
The Drama constructs a trolley problem for the Instagram age that could easily double as a viral op-ed from The Cut’s relationships section.
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The Drama
(2026)
76%
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Yasmin Omar
The Curzon Journal
Mar 10, 2026
3/5
Project Hail Mary is a rare film that holds its cards close, biding its time, then reveals its winning hand with a flourish.
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Project Hail Mary
(2026)
95%
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Yasmin Omar
The Curzon Journal
Dec 11, 2025
4/5
Bobbing and zipping, slashing and thrashing, Marty Supreme is a frenzied portrait of the athlete as a young, selfish man that leaves you, agape, questioning the true meaning of victory.
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Marty Supreme
(2025)
93%
- -
Yasmin Omar
The Curzon Journal
Oct 21, 2025
4/5
Bugonia is still a deliciously nasty little genre movie that criticises late-stage capitalism with Yorgos Lanthimos’ dry humour, toe-curling brutality and cheeky absurdism.
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Bugonia
(2025)
87%
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Yasmin Omar
The Curzon Journal
Oct 10, 2025
The isolation of fame and the mutability of identity are core tenets of Noah Baumbach’s ruminative, pleasingly melancholy character study.
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Jay Kelly
(2025)
75%
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Yasmin Omar
The Curzon Journal
Sep 24, 2025
3.5/5
Make no mistake: competency porn this is not. The film frustrates our desire to see each stage in a grand plan fall into place – and it’s all the better for it.
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The Mastermind
(2025)
89%
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Yasmin Omar
The Curzon Journal
Sep 17, 2025
4/5
One Battle After Another is a full meal of a film, a character piece smuggled into a roof-jumping, grenade-tossing, car-flipping action movie that smartly comments on third-rail political issues.
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One Battle After Another
(2025)
94%
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Yasmin Omar
The Curzon Journal
Aug 8, 2025
3.5/5
A dramedy in the truest sense of the word, it pulls off the delicate tightrope act of moving between harrowing intensity and Sahara-dry gallows humour.
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Sorry, Baby
(2025)
97%
- -
Yasmin Omar
The Curzon Journal
May 15, 2025
3/5
In many ways, The Final Reckoning is less an action movie, more a disaster movie. Where worst-case scenarios used to be implied, here they’re visualised with apocalyptic projections.
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Mission: Impossible - The Final Reckoning
(2025)
80%
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Yasmin Omar
Empire Magazine
Mar 18, 2025
3/5
An over-eager, idea-stuffed debut that keeps you engaged with its surprising twists, but which nevertheless could have used a little pruning.
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Sister Midnight
(2024)
98%
- -
Yasmin Omar
The Curzon Journal
Jan 10, 2025
5/5
Without being too grandiose, The Brutalist is what cinema is all about.
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The Brutalist
(2024)
93%
- -
Yasmin Omar
The Curzon Journal
Jan 6, 2025
4/5
Much of the film’s drama derives from its morally porous central relationship, its skirting around the question of who exactly has the power.
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Babygirl
(2024)
76%
- -
Yasmin Omar
The Curzon Journal
Dec 17, 2024
3.5/5
Better Man doesn’t feel as guarded, as micromanaged, as other films of its ilk.
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Better Man
(2024)
89%
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Yasmin Omar
The Curzon Journal
Oct 10, 2024
4/5
It’s bracing to watch The Apprentice. This is an uncompromising movie defiantly working outside the system and answering to no one.
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The Apprentice
(2024)
83%
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Yasmin Omar
The Curzon Journal
Aug 20, 2024
3/5
The film is much like the social-media platforms whose parlance it has swallowed: a lacquered, curated irreality that’s fun to spend time with – but might just end up being very bad for you.
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Blink Twice
(2024)
74%
- -
Yasmin Omar
Empire Magazine
Aug 20, 2024
3/5
Sky Peals builds tension effectively, but stops short of meaningfully engaging with its chosen (and very worthwhile) themes. Still, if it’s a creepy-mood piece you’re after, this fits the bill.
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Sky Peals
(2023)
100%
- -
Yasmin Omar
Empire Magazine
Aug 7, 2024
3/5
Though low-stakes for an adventure film, this is nonetheless an engaging, found-family eco-fable that imparts an important conservationist message with considerable, at times impressionistic, style.
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Kensuke's Kingdom
(2023)
97%
- -
Yasmin Omar
The Curzon Journal
Jul 16, 2024
3.5/5
It’s necessarily silly – the kind of dumb fun that has you rolling your eyes, but simultaneously outstretching your hand for more.
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Twisters
(2024)
75%
- -
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