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Wade Major FilmWeek (LAist) Feb 11, 2025 Your blood pressure will go up to dangerous levels while watching this. Go to Full Review The Wages of Fear (1953) 100% 95%
Wade Major FilmWeek (LAist) Feb 11, 2025 It's a little bit scary, but it's hopeful and says we can still catch up. Go to Full Review Counted Out (2024) - - - -
Wade Major FilmWeek (LAist) Feb 11, 2025 This is it. This is the one. This is the definitive version. Go to Full Review The Count of Monte-Cristo (2024) 97% - -
Wade Major FilmWeek (LAist) Feb 11, 2025 There is a cultural divide that doesn't quite translate in the way they talk to each other, but after about a half an hour, you go with it. Go to Full Review The Room Next Door (2024) 80% - -
Wade Major FilmWeek (LAist) Feb 11, 2025 It's very well made... and it really touches on some interesting issues. Go to Full Review Homestead (2024) 43% - -
Wade Major FilmWeek (LAist) Feb 11, 2025 I'm the grouch and scrooge here... It all ends with a giant explosion of CG. Go to Full Review Sonic the Hedgehog 3 (2024) 86% - -
Wade Major FilmWeek (LAist) Feb 11, 2025 Uninspired and unnecessary. Go to Full Review Mufasa: The Lion King (2024) 56% - -
Wade Major FilmWeek (LAist) Feb 11, 2025 The details are so intensely well thought-out that you might mistakenly run to Wikipedia to look up László Tóth. Go to Full Review The Brutalist (2024) 93% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 I wish it had the epic feel that the story warrants. Go to Full Review The Return (2024) 78% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 The problem here is that it's neither biblical nor scholarly. Go to Full Review Mary (2024) 29% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 I admire the craft of it, but I can't say I felt rewarded by watching it. Go to Full Review The Girl With the Needle (2024) 93% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 Perfectly fine and serviceable as an underdog sports drama. Go to Full Review Unstoppable (2024) 76% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 It's just aimless. "The End," ironically, never seems to be heading toward one. Go to Full Review The End (2024) 57% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 A nice resumé piece for Jack Huston as a director. It's not a great film, but a very well-made one. Go to Full Review Day of the Fight (2023) 85% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 Everyone here is terrific, it's really well done and very compelling, but ultimately -- because I'm so familiar with the story -- it just didn't hit quite as strong as I wanted it to hit. Go to Full Review The Order (2024) 93% - -
Wade Major FilmWeek (LAist) Jan 17, 2025 If this were an essay that would be one thing... But [Marielle Heller] is handicapped by the material. Go to Full Review Nightbitch (2024) 59% - -
Wade Major FilmWeek (LAist) Nov 13, 2024 This is tremendous and needs to be considered a frontrunner for all the documentary awards. Go to Full Review The Remarkable Life of Ibelin (2024) 97% - -
Wade Major FilmWeek (LAist) Nov 13, 2024 There's nothing new here, but there are tidbits I found really compelling. Go to Full Review Carville: Winning Is Everything, Stupid! (2024) 100% - -
Wade Major FilmWeek (LAist) Nov 13, 2024 It's a nice little psychological thriller. Go to Full Review Magpie (2024) 81% - -
Wade Major FilmWeek (LAist) Nov 13, 2024 If you're not deeply steeped in Hitchcock, this is a wonderful introduction. Go to Full Review My Name is Alfred Hitchcock (2022) 93% - -
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