Taylor Baker

Taylor Baker Drink in the Movies Aug 6, 2026 80/100 Losznitsa, a director who primarily films documentaries, lets his cameras roll for extended sequences, allowing the spaces to come to life and the characters time to inhabit them. Go to Full Review Two Prosecutors (2025) 98% 30%

Taylor Baker Drink in the Movies Aug 6, 2026 30/100 Michôd fails to make Christy’s athletic accomplishments erupt on screen; it lacks the dynamism and contains such an unembellished formula that Christy ends up worth less than the pieces it’s comprised of. Go to Full Review Christy (2025) 66% - -

Taylor Baker Drink in the Movies Aug 6, 2026 60/100 Lord and Miller, after being away for 12 years, have made an exceptionally broad and watchable film with a star (Ryan Gosling) whose affability and vulnerability find a serviceable home in the lead character of Ryland Grace. Go to Full Review Project Hail Mary (2026) 95% - -

Taylor Baker Drink in the Movies Aug 6, 2026 85/100 Nolan shows that the Hollywood superhero genre can contain stories outside of comic book origins while continuing his bent toward contemplative work assessing our place in the annals of history. Go to Full Review The Odyssey (2026) 94% - -

Taylor Baker Drink in the Movies Oct 6, 2025 72/100 Wick is Pain, settles all that noise into a straightforward documentary about the labor of love and behind-the-scenes feuds that turned a little indie action film into another conglomerate film universe with its numerous spin-offs. Go to Full Review Wick Is Pain (2025) 100% - -

Taylor Baker Drink in the Movies Oct 6, 2025 82/100 The world is so lived-in, the cinematography so energizing, and the performances so convincing that one can’t be bothered by the narrative convention we’re witnessing. Go to Full Review 28 Years Later (2025) 88% - -

Taylor Baker Drink in the Movies Oct 6, 2025 94/100 A reinterpretation for a new generation, showing that while time turns, things don’t change too much. As the film unfolds, its secret societies, larger-than-life characters, and cartoonish grandiosity give way to a fable steeped in realism. Go to Full Review One Battle After Another (2025) 94% - -

Taylor Baker Drink in the Movies Aug 20, 2025 67/100 The handheld cinematography creates an intimate, secretive quality, as if we’re witnessing memories in the process of forming. This isn’t the polished grief of Hollywood but something rawer and more recognizable. Go to Full Review Invention (2024) 95% - -

Taylor Baker Drink in the Movies Aug 20, 2025 60/100 The narrow scope—both in location and character count—allows Andrews to craft a singularly focused debut that manages to be simple and engaging. Go to Full Review Bring Them Down (2024) 90% - -

Taylor Baker Drink in the Movies Aug 20, 2025 82/100 In the end, Eddington emerges as a singular and sickly American fable, destined to leave nearly equal amounts of dissatisfaction and amusement in its wake. Go to Full Review Eddington (2025) 69% - -

Taylor Baker Drink in the Movies Oct 5, 2024 88/100 The direction is restrained but elegant in its precision, often leaving the camera in place and delicately zooming in and out to accentuate an otherwise static composition. Cinematographer Michal Dymek deftly frames interiors and captures exquisite light Go to Full Review The Girl With the Needle (2024) 93% - -

Taylor Baker Drink in the Movies Sep 30, 2024 76/100 It’s impossible to detect that this is Leonardo Van Dijl’s feature debut as he expertly places Tessa Van den Broeck–in her debut performance–front and center, capturing her performance of Julie through physical action with many long static shots cleverly Go to Full Review Julie Keeps Quiet (2024) 93% - -

Taylor Baker Drink in the Movies Sep 29, 2024 20/100 Another year, another Adèle Exarchopoulos film, and for the first time in a while, a colossal misfire. Planet B, Aude Léa Rapin’s sophomore feature, is the type of science fiction film that makes a typical fan of the genre...have feelings of lamentation. Go to Full Review Planet B (2024) - - - -

Taylor Baker Drink in the Movies Sep 29, 2024 76/100 It reminds one of Stefan Zweig in his last days, longing toward a past Vienna he lived through as a child, that...perhaps never entirely existed in the way he remembers. Did the Western world ever value the Socratic method as much as Francis hopes?I Go to Full Review Megalopolis (2024) 46% - -

Taylor Baker Drink in the Movies Aug 16, 2024 30/100 We’re all under the boot of an all-consuming empire, indeed. If only this finished product didn’t remind one quite so much of its final villain. Go to Full Review Alien: Romulus (2024) 80% - -

Taylor Baker Drink in the Movies Jul 26, 2024 54/100 I Saw the TV Glow is another exploration of the truths and falsity we find growing up in the suburbs of America, how impactful each viewer finds this rendition of these ideas and feelings will determine how much they do or don’t enjoy it. Go to Full Review I Saw the TV Glow (2024) 85% - -

Taylor Baker Drink in the Movies Jul 26, 2024 54/100 ...avoids striking visual choice and opts for familiar patinas and frames, and lets his stars do the heavy lifting. There’s certainly something to appreciate, though one senses this film reads better off the page than it does witnessed on the screen. Go to Full Review Mothers' Instinct (2024) 55% - -

Taylor Baker Drink in the Movies Jul 26, 2024 50/100 Should Oniunas-Pusić further develop her tone control, she’ll become a filmmaker to contend with. Tuesday is a sloppy and sincere mixed bag, heavily reliant on middling CGI. Go to Full Review Tuesday (2023) 76% - -

Taylor Baker Drink in the Movies Jul 26, 2024 78/100 Hit Man is a smile and a wink. It’s charming and knows it; it’s fun and knows it; it’s flimsy and celebrates it. Splendidly cast, well-directed, and pleasant to watch, it may feel like a live-action cartoon, but what’s more Americana than that? Go to Full Review Hit Man (2023) 95% - -

Taylor Baker Drink in the Movies Jul 26, 2024 80/100 While feeling old hat in many ways, Coup de Chance also feels like a fresh breath in. At its best, a Woody Allen film can charm us all into it. Sure, it’s a familiar scenario, but the score and editing punctuate each note with care. Go to Full Review Coup de Chance (2023) 83% - -