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Stephanie Malone Morbidly Beautiful Jun 15, 2026 4/5 Kraken may test the patience of viewers hungry for nonstop monster mayhem, but its slow-burn approach pays off beautifully. Go to Full Review Kraken (2026) 67% - -
Stephanie Malone Morbidly Beautiful Jun 9, 2026 3.5/5 Its gripping mystery, fractured perspective, and emotionally grounded performances help it succeed as a compelling indie thriller about trauma, manipulation, and the terrifying instability of truth. Go to Full Review Fathers (2026) - - - -
Stephanie Malone Morbidly Beautiful Jun 6, 2026 Look, is this high art? No. A lot of things go boom, and we have to assume the civilian death count would be ludicrously high if any of this were even close to happening in reality. But it’s Bayhem, baby! Go to Full Review The Rock (1996) 76% 77%
Stephanie Malone Morbidly Beautiful May 30, 2026 3.5/5 Anchored by a terrific performance from Britt Lower, this offbeat paranoia thriller unpacks the uneasy overlap among recovery, consumer culture, surveillance, and our endless hunger for the next thing that might make us feel just a little more ok.   Go to Full Review Sender (2026) 80% - -
Stephanie Malone Morbidly Beautiful May 30, 2026 3/5 Part possession movie, part runaway train thriller, it delivers a surprisingly polished and wildly entertaining ride. It balances cliché and camp with enough craft to keep the whole thing from going off the rails. Go to Full Review Speed Demon (2026) 64% - -
Stephanie Malone Morbidly Beautiful May 7, 2026 4/5 Not for everyone, especially if you want escapist popcorn horror or are allergic to horror with social commentary. But for viewers who love folk horror that is moody, mythic, feminist, and fierce, this is a Dutch delight worth seeking out. Go to Full Review Heresy (2024) - - - -
Stephanie Malone Morbidly Beautiful Apr 30, 2026 4.5/5 Hokum cements Damian Mc Carthy as a modern horror master. It’s a masterfully crafted, dread-soaked, character-driven descent into grief and folklore. Bewitching and terrifying, with a spellbinding performance from Adam Scott. Go to Full Review Hokum (2026) 90% - -
Stephanie Malone Morbidly Beautiful Apr 26, 2026 4/5 Tailor-made for viewers who prefer mood and atmosphere over a rigid plot, The Serpent’s Skin sheds convention in favor of something raw, intimate, and defiantly punk-rock. Essential for those seeking out authentic trans representation in horror. Go to Full Review The Serpent's Skin (2025) 93% - -
Stephanie Malone Morbidly Beautiful Apr 19, 2026 3/5 The Yeti aims higher than cheap creature carnage, and while that ambition does not always pay off, the monster itself is worth the expedition. Go to Full Review The Yeti (2026) 44% - -
Stephanie Malone Morbidly Beautiful Apr 19, 2026 3.5/5 A grindhouse fairy tale that blends 70s-inspired slasher grit with unflinching extremity. It’s not for the faint of heart. But for midnight movie lovers and extreme horror devotees, it’s exactly the kind of cinematic gut-punch you’ve been waiting for. Go to Full Review Dolly (2025) 60% - -
Stephanie Malone Morbidly Beautiful Apr 4, 2026 5/5 Part sleazy slasher, part uproarious black comedy, part scathing social commentary—all wrapped up in a fever dream of female rage. It’s inventive, intelligent, and wildly fun. Go to Full Review Frankie, Maniac Woman (2025) 100% - -
Stephanie Malone Morbidly Beautiful Feb 19, 2026 It’s a quietly horrifying vision… and that’s what makes it essential viewing. Go to Full Review THX 1138 (1971) 72% 73%
Stephanie Malone Morbidly Beautiful Dec 8, 2025 3.5/5 A battered woman, a blood-soaked stranger, and a snowbound Christmas Eve drive turn a single car into a rolling torture chamber. He Kills at Night trades holiday cheer for claustrophobic dread, gendered terror, and a finale that hits like black ice. Go to Full Review He Kills at Night (2025) - - - -
Stephanie Malone Morbidly Beautiful Dec 6, 2025 4/5 A Savage Art isn’t just a documentary about a cranky genius with a pen; it’s a eulogy for a world where savage cartoons could still make presidents sweat. This portrait of Pat Oliphant doubles as a potent warning shot. Go to Full Review A Savage Art: The Life & Cartoons of Pat Oliphant (2025) 85% - -
Stephanie Malone Morbidly Beautiful Dec 2, 2025 2.5/5 Go in knowing you’ll have to forgive a lot (it's microbudget, and it shows). If you can do that, you may find yourself unexpectedly seduced by this sexy, messy, campy ode to dark seduction. Go to Full Review The Kiss of a Vampire (2025) - - - -
Stephanie Malone Morbidly Beautiful Dec 1, 2025 4.5/5 A visually astonishing journey down the Colorado River, The American Southwest blends awe, activism, and ecohorror as it confronts drought, dams, and a fragile future. Go to Full Review The American Southwest (2025) 100% - -
Stephanie Malone Morbidly Beautiful Nov 29, 2025 3.5/5 It’s not a game-changer, but its icy atmosphere, unnerving sound design, and intriguing mythology make this a worthwhile watch for found footage fans. Go to Full Review Dream Eater (2025) 65% - -
Stephanie Malone Morbidly Beautiful Nov 10, 2025 2/5 A deliriously silly, soapy thriller that’s best enjoyed with your brain in airplane mode. It's deeply flawed, but it has its strange charms for fans of campy B-movie melodrama. Go to Full Review Held Hostage in My House (2024) - - - -
Stephanie Malone Morbidly Beautiful Nov 3, 2025 4/5 A tense, emotionally raw psychological thriller about belonging, betrayal, and breakdowns, Explores what happens when rejection becomes obsession. With stellar performances and a jaw-dropping final act, it’s a low-budget gem that hits hard and cuts deep. Go to Full Review The Disinvited (2024) - - - -
Stephanie Malone Morbidly Beautiful Oct 24, 2025 3/5 A haunting, heartfelt debut that blends online folklore, found footage, and personal trauma. Shelby Oaks isn't flawless. But it’s an ambitious, beautifully shot, and deeply sincere first film that announces Chris Stuckmann as a director worth watching. Go to Full Review Shelby Oaks (2023) 55% - -
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