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Stephanie Crawford
The Screamcast
Mar 20, 2021
As a drama, too many character arcs (and characters themselves) and hints at emotional healing are unceremoniously dropped, rendering them little more than filler.
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Broadcast Signal Intrusion
(2021)
68%
41%
Stephanie Crawford
The Screamcast
Mar 19, 2021
As the movie started really toying around with the classic vampire premise and the changes in our leads' marriage, the more fun I had.
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Jakob's Wife
(2021)
85%
60%
Stephanie Crawford
The Screamcast
Mar 17, 2021
The amount of ground covered here will satisfy diehard and novice fans alike while the well-chosen clips and a bevy of enthusiastic interviews combine into a perfect primer to get neophytes through the dark woods of a fascinating genre.
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Woodlands Dark and Days Bewitched: A History of Folk Horror
(2021)
100%
90%
Stephanie Crawford
Daily Grindhouse
Nov 12, 2020
It's fascinating and quite vulnerable, with a skin-pricking sense of unease and tension throughout.
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Lucky
(2020)
93%
28%
Stephanie Crawford
Daily Grindhouse
Sep 6, 2020
HAIL TO THE DEADITES is a pure clubhouse movie.
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Hail to the Deadites
(2020)
78%
57%
Stephanie Crawford
Daily Grindhouse
Jul 24, 2020
Murderock really does pack in plenty of both Fulci's sanguineous fervor and his mastery of nightmarish but seductive imagery.
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Murderock - uccide a passo di danza (Murder Rock - Dancing Death)
(1984)
- -
27%
Stephanie Crawford
Daily Grindhouse
Jul 24, 2020
The movie being in on the joke doesn't take away from its fun, thankfully, and the intense carnage makes it a classic Saturday night rental.
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Slaughterhouse Rock
(1987)
- -
30%
Stephanie Crawford
Boom Howdy
Jul 21, 2020
It's a jumbled film, but it's a fascinating tangle that's made by some deeply talented people.
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This Is Not a Movie
(2011)
- -
34%
Stephanie Crawford
Daily Grindhouse
Jul 16, 2020
Color Out of Space is, yes, a truly fantastic Lovecraft movie, but it's also the Richard Stanley movie that Richard Stanley fans have been waiting for.
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Color Out of Space
(2019)
86%
82%
Stephanie Crawford
Daily Grindhouse
Jul 15, 2020
There's no real question that Christmas Evil is an exploitation film, but it's one of the rare ones that's even more concerned with mood and pathos than nudity or blood.
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Christmas Evil
(1980)
57%
35%
Stephanie Crawford
Daily Grindhouse
Jul 15, 2020
I hate being uncharitable about Scream and Scream Again's weak and chaotic bits because it's still just so much fun.
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Scream and Scream Again
(1970)
65%
28%
Stephanie Crawford
The Screamcast
Jul 15, 2020
Thelma mirrors life: It's beautiful, mysterious, painful and confusing.
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Thelma
(2017)
92%
77%
Stephanie Crawford
Daily Grindhouse
Jul 15, 2020
Horror Noire is pure fun for horror fans both experienced and new, but I have no doubt that it's also going to become a go-to informational gateway.
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Horror Noire: A History of Black Horror
(2019)
100%
67%
Stephanie Crawford
The Screamcast
Jul 15, 2020
As Jojo's world opens up and ruptures, the film morphs from a kicky comedy to an almost genre-defying journey.
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Jojo Rabbit
(2019)
81%
94%
Stephanie Crawford
The Screamcast
Jul 15, 2020
It's easy to recommend a film that realizes optimism and empathy are not only valuable, but they can also be used to raise the stakes to make plot elements even more exciting.
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Synchronic
(2019)
79%
76%
Stephanie Crawford
The Screamcast
Jul 15, 2020
Scream, Queen! is as challenging as it is loving, and it shouldn't be missed.
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Scream, Queen! My Nightmare on Elm Street
(2019)
100%
88%
Stephanie Crawford
Daily Grindhouse
Jul 15, 2020
Invisible Agent Dissolves in the Air but Not in Our Hearts
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Invisible Agent
(1942)
67%
34%
Stephanie Crawford
Daily Grindhouse
Apr 8, 2020
TOMBOY's...parade of intimate portraits instead work to frame what it means to be an artist, and what that translates to when you balance that with the expectations of womanhood. Like the best music, it's as heartbreaking as it is affirming.
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Tomboy
(2020)
71%
- -
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