Steph Green

Steph Green Sight & Sound Dec 19, 2025 It Ends With Us has moments of intelligence and moving sincerity. Go to Full Review It Ends With Us (2024) 55% - -

Steph Green Empire Magazine Nov 22, 2024 3/5 This drama works best when it’s not taking its cues directly from its source material. It may not be always totally compelling, but Deadwyler elevates every scene she’s in. Go to Full Review The Piano Lesson (2024) 88% - -

Steph Green Empire Magazine May 29, 2024 5/5 Bonello has created a wholly original work that pulses with prescience. Go to Full Review The Beast (2023) 86% - -

Steph Green Empire Magazine Mar 18, 2024 4/5 Chastain and Sarsgaard are a class act — their touching, tactile chemistry is the film’s triumph. Go to Full Review Memory (2023) 86% - -

Steph Green Empire Magazine Mar 18, 2024 4/5 A metafictional work elevated into something new: deeply felt and true as a story about parental enigma, spectral remembrance and ingrained British repression. Go to Full Review The Eternal Daughter (2022) 95% 47%

Steph Green Empire Magazine Mar 18, 2024 4/5 May December is not just a skilful satire of suburban propriety; it’s a unique and uncanny affair about the nature of performance itself. Go to Full Review May December (2023) 91% 68%

Steph Green Inverse Oct 4, 2023 3/5 Fincher’s movie struggles to find its modus operandi. Go to Full Review The Killer (2023) 85% 61%

Steph Green BBC.com Sep 8, 2023 4/5 It is in the comparisons between quotidian grief and systemic bigotry, weaving Isabel's personal experience with the politics of her job and the history she must reckon with, in which Origin is the most impressive. Go to Full Review Origin (2023) 82% - -

Steph Green IndieWire Sep 3, 2023 C- Saverio Costanzo seems to throw more and more ideas at the page with the growing desperation of adding new toppings to mask a bad pizza. Go to Full Review Finally Dawn (2023) 36% - -

Steph Green Inverse Sep 2, 2023 Flamboyant, florid, fantastic, and freakish, this might well be one of the most unique movies you’ll ever see. Go to Full Review Poor Things (2023) 92% - -

Steph Green WeLoveCinema Jul 6, 2023 3/5 Boulifa has constructed a film that knows its subjects, but isn’t sure what it wants us, the audience, to take away. Go to Full Review The Damned Don't Cry (2022) 90% - -

Steph Green WeLoveCinema May 26, 2023 3/5 It may well struggle to say anything we’ve not already seen discussed elsewhere when it comes to sexual assault, but is a fully realised world that stings with recognition. Go to Full Review How to Have Sex (2023) 97% 59%

Steph Green WeLoveCinema May 26, 2023 4/5 Will be catnip to those deeply invested in the intricacies of legal trials, the off-kilter humour of intellectual French comedy, and the magnetic command of Sandra Hüller. Go to Full Review Anatomy of a Fall (2023) 96% 90%

Steph Green IndieWire May 25, 2023 C+ French-Swedish director Anna Novion crafts a film that plots its coordinates in a familiar territory yet ultimately struggles to do what the best movies of this type do, which is manage to make the audience care about whatever their character cares about. Go to Full Review Marguerite's Theorem (2023) 60% - -

Steph Green IndieWire May 25, 2023 B Far from a gamble made in the service of naturalism, this heightened and strange piece of fiction re-enactment exposes itself for critique in a way that you almost have to respect. For its sins, it seems to -- just about -- succeed. Go to Full Review Four Daughters (2023) 96% 86%

Steph Green WeLoveCinema Mar 27, 2023 4/5 This is exactly the kind of escapist, ephemeral stuff we need after the exhaustion of awards season. Go to Full Review Dungeons & Dragons: Honor Among Thieves (2023) 91% 93%

Steph Green WeLoveCinema Mar 3, 2023 4/5 A Conradian odyssey in painterly miniature. Go to Full Review Disco Boy (2023) 88% - -

Steph Green IndieWire Feb 23, 2023 A- To be lost in the painterly visuals, to traverse through the sheer scale of Shinkai’s real and imagined worlds, is an experience deserving of the biggest screen you can find. Go to Full Review Suzume (2022) 96% 98%

Steph Green IndieWire Feb 22, 2023 A- Not only is “Reality” inventively mounted and extraordinarily tense, but it proves something we already knew deep down: that Sydney Sweeney is the real deal. Go to Full Review Reality (2023) 93% 67%

Steph Green BFI Feb 22, 2023 3/5 But for all its beauty and sexual slipperiness, the film trips itself up with juvenile plot developments ripped from a romance paperback. Go to Full Review Someday We'll Tell Each Other Everything (2023) 42% - -