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Sara Clements
Next Best Picture
Oct 23, 2026
7/10
Woll’s Meg anchors a smart, moody investigation where the writing ties her fractured relationship with her father to why she does what she does, and the practical effects are welcomed.
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The Cycle
(2026)
94%
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Sara Clements
Nerdspin
Oct 21, 2026
Wildwood is a sweeping, handcrafted fantasy rich in theme, gorgeous at every scale, and emotionally heavy.
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Wildwood
(2026)
100%
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Sara Clements
Nerdspin
Oct 4, 2026
B+
The Only Living Pickpocket in New York is a crime drama that feels like it was pulled from a time capsule; it lives so comfortably within its influences that Noah Segan’s film wears the grit of 1970s cinema naturally.
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The Only Living Pickpocket in New York
(2026)
97%
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Sara Clements
Next Best Picture
Oct 2, 2026
8/10
"Lady" is certainly odd and uneven at times, but it has a distinct voice and a lead performance that turns its strangeness into something both very amusing and tender.
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Lady
(2025)
100%
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Sara Clements
Next Best Picture
Sep 13, 2026
7/10
"Trash Mountain" doesn’t reinvent the homecoming-dramedy formula, but it’s happy to be comfort-food filmmaking, not innovation.
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Trash Mountain
(2026)
100%
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Sara Clements
Next Best Picture
Sep 12, 2026
7/10
What results is a film that spends its first half doing something genuinely unnerving with the genre’s oldest trick, before eventually settling, in its back half, into more familiar terrain.
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River
(2026)
94%
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Sara Clements
Next Best Picture
Aug 29, 2026
5/10
"The Whisper Man" does what it needs to do, telling an engaging story about fathers’ sins and their failures to protect their sons, but it won’t have any lasting impact beyond being the next crime thriller to hit Netflix
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The Whisper Man
(2026)
45%
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Sara Clements
Marmalade Matinee (Medium)
Aug 28, 2026
It’s colourful, playful, and completely committed to the bit, which makes the contrast with the horror that follows more effective.
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Buddy
(2026)
88%
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Sara Clements
Marmalade Matinee (Medium)
Aug 24, 2026
It builds a rich portrait of friendship — the kind horror ensembles usually skip in favor of the next jump scare.
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It Ends
(2025)
93%
- -
Sara Clements
Marmalade Matinee (Medium)
Aug 14, 2026
The dinosaur movie audiences have deserved since Spielberg left Jurassic Park.
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The End of Oak Street
(2026)
86%
- -
Sara Clements
Marmalade Matinee (Medium)
Aug 7, 2026
Mackay, barely into her twenties, keeps evolving with every feature and makes you excited for the next.
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Our Effed Up World
(2026)
93%
- -
Sara Clements
Marmalade Matinee (Medium)
Aug 7, 2026
It’s another example of why horror is at its best when it tackles real horrors of the human experience.
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Nightborn
(2026)
73%
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Sara Clements
Marmalade Matinee (Medium)
Aug 7, 2026
The leads anchor it all with natural, lived-in sibling chemistry in a dystopia that gets under your skin through its claustrophobic, airtight control.
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Home Bodies
(2026)
75%
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Sara Clements
Next Best Picture
Aug 7, 2026
6/10
Genuinely unsettling, backed by two performances doing careful, subtle work.
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Someone's Daughter
(2026)
64%
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Sara Clements
Next Best Picture
Aug 3, 2026
7/10
"The Peril at Pincer Point" isn’t just style dressed up as substance; it’s a film that knows exactly what it is, committed enough to its own strangeness that any meandering or thin characterization barely matters while you’re watching it.
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The Peril at Pincer Point
(2026)
100%
- -
Sara Clements
Next Best Picture
Jul 31, 2026
8/10
It pairs a tender, specifically drawn romance between two men with genuinely inventive horror.
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No Rest for the Wicked
(2026)
97%
- -
Sara Clements
Next Best Picture
Jul 31, 2026
7/10
The performances are the reason this story and the emotional conflict within stay with you afterward, whether you want it to or not.
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The Reader
(2008)
63%
79%
Sara Clements
Next Best Picture
Jul 27, 2026
7/10
It’s unique in its storytelling, with narrative beats that are truly unpredictable and great use of horror mechanics, easily keeping you trapped in the eye of Evans’s camera.
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Corpus
(2026)
87%
- -
Sara Clements
Next Best Picture
Jul 3, 2026
6/10
Finds its beating heart in the father-daughter relationship at its center, with David Cross delivering a performance so warm and specific it makes you wish the film never left the apartment they share.
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Lucy Schulman
(2026)
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Sara Clements
Next Best Picture
Jul 3, 2026
9/10
A raw and deeply compassionate portrait that avoids sensationalism, instead opting to humanize its subjects by focusing on their personal resilience and their desire to break generational cycles of trauma.
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Baby/Girls
(2026)
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