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Moira Walsh
America Magazine
Apr 7, 2026
Though the picture is not much as the portrait of an era, its Technicolor, period songs and some of its comedy are pleasant and it probably belongs under the heading of genial, warm weather entertainment.
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On Moonlight Bay
(1951)
87%
80%
Moira Walsh
America Magazine
Jan 15, 2026
Unfortunately this laudable but cinematically static purpose rules out both the fact action and the light touch without which science fiction is a bore.
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The Day the Earth Stood Still
(1951)
92%
87%
Moira Walsh
America Magazine
Oct 13, 2025
There is plenty of latitude for quarreling with the film's undue emphasis on its heroine's moral lapses.
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Born Yesterday
(1950)
95%
85%
Moira Walsh
America Magazine
Apr 22, 2024
Though undeniably exciting, the net result is pretty pointless and very brutal.
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White Heat
(1949)
94%
93%
Moira Walsh
America Magazine
Apr 19, 2024
The film is a creditable adaptation of a stirring tale. The necessary pruning has been so done that the novel’s clash of events and characters retains its original balance.
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The Caine Mutiny
(1954)
95%
87%
Moira Walsh
America Magazine
Apr 18, 2024
T.E.B. Clarke's script is a tongue in cheek masterpiece of ingenious improbability.
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The Lavender Hill Mob
(1951)
100%
86%
Moira Walsh
America Magazine
Mar 28, 2024
The leading players are professionally competent as usual but seem miscast, with the exception of Miss Hepburn, whose role has been tailored to exploit her elfin charms and who succeeds in being a little too elfin to be quite bearable.
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Sabrina
(1954)
89%
89%
Moira Walsh
America Magazine
Mar 27, 2024
This aggregation of horrors succeeds in being so repellent, and also so unreal and ultimately ludicrous, that I would not have mentioned the picture except that, strange to say, it has been given quite favorable mention in other quarters.
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The Big Heat
(1953)
95%
90%
Moira Walsh
America Magazine
Mar 25, 2024
The film has a seemingly authentic feeling for the harshness and crudity of frontier life... and any number of striking photographic effects. It is curiously deficient however in the unity and cumulative power implicit in the material.
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The Searchers
(1956)
87%
88%
Moira Walsh
America Magazine
Feb 23, 2024
It seldom gets out of the standard, adult horse-opera class.
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Westward the Women
(1951)
69%
83%
Moira Walsh
The Catholic World
Nov 29, 2023
It is as fundamentally unsatisfactory a film as was ever made by people with talent and serious intent.
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The Left Handed Gun
(1958)
82%
54%
Moira Walsh
The Catholic World
Nov 29, 2023
The film does not unduly sensationalize the material and it is neither uninteresting nor unconvincing. It is however almost unrelievedly downbeat.
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Too Much, Too Soon
(1958)
- -
41%
Moira Walsh
The Catholic World
Nov 28, 2023
South Pacific is too sophisticated to have the broad general suitability of The King and I. For its more limited audience, however, it is a practically perfect screen version of a contemporary musical comedy classic.
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South Pacific
(1958)
75%
69%
Moira Walsh
The Catholic World
Nov 28, 2023
The Sound and the Fury is another depressing but generally tasteful and responsible examination of the seamier side of life.
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The Sound and the Fury
(1959)
60%
44%
Moira Walsh
The Catholic World
Nov 28, 2023
It is an inadvertently compromising title to put on a film that actually is nothing but an imitation of life and a bad one at that.
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Imitation of Life
(1959)
81%
91%
Moira Walsh
The Catholic World
Nov 28, 2023
Some Like It Hot is the wildest and wooliest comedy since Preston Sturges left Hollywood and the Marx Brothers disbanded as a team... Director (and co-author) Billy Wilder is one of the best in the business and knew exactly what he was doing.
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Some Like It Hot
(1959)
95%
94%
Moira Walsh
The Catholic World
Nov 28, 2023
It is a real shaggy dog story in the sense of having neither explanation nor point. It is intelligently made however and surprisingly likeable especially for youngsters. Also its lunatic premise gives rise to some pricelessly funny bits.
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The Shaggy Dog
(1959)
71%
48%
Moira Walsh
The Catholic World
Nov 28, 2023
The movie is done with taste and skill and no little cinematic distinction.
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The Diary of Anne Frank
(1959)
83%
77%
Moira Walsh
The Catholic World
Nov 28, 2023
Most of the picture’s impact, however, is the contribution of Susan Hayward, giving the performance of her career as the doomed but indomitable Barbara.
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I Want to Live!
(1958)
94%
83%
Moira Walsh
The Catholic World
Nov 28, 2023
In the first place the hero’s adventures have an inspired slapstick quality such as screen comedy seldom achieves nowadays. Secondly... on occasion, [it is] quite moving as a study of the temperament of the artistic genius.
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The Horse's Mouth
(1958)
89%
76%
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