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John Powers
L.A. Weekly
Oct 20, 2026
Kubrick tries to make too much of a virtue out of what his movie isn't: Even as he strips away the conventions of the war movie, he doesn't replace them with any fresh ideas.
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Full Metal Jacket
(1987)
84%
94%
John Powers
L.A. Weekly
Oct 4, 2026
Even better than Friday the 13th, Part VII.
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Friday the 13th Part VI: Jason Lives
(1986)
39%
53%
John Powers
NPR
Sep 4, 2026
I don't know about you, but I have to love any movie that's clever enough to turn Wile E. Coyote into a role model.
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Coyote vs. Acme
(2026)
96%
- -
John Powers
L.A. Weekly
Aug 15, 2026
Mann's stylistic preening makes Manhunter a formal shambles, a film student's wet dream, a demonic gibber of a movie. Mann may know all the tricks in the book, but he doesn't understand the book.
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Manhunter
(1986)
82%
78%
John Powers
L.A. Weekly
Aug 10, 2026
The end result is Cronenberg's most perfect film to date.
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The Fly
(1986)
82%
83%
John Powers
NPR
Aug 7, 2026
Perhaps the highest praise I can offer is that it doesn't depend on Bourdain's fame to keep us interested. I would have enjoyed this movie even if its hero didn't have TV shows that play on every airline in the world.
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Tony
(2026)
93%
- -
John Powers
L.A. Weekly
Jul 10, 2026
Both clumsy and quite moving, Boyz N the Hood displays something rare: a filmmaker's honest attempt to make sense of his experience. I only wish Singleton had worked harder to make sense of his feelings about women...
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Boyz N the Hood
(1991)
93%
93%
John Powers
NPR's Fresh Air
Jun 29, 2026
Independence Day is easily my favorite of the big summer movies, but I must admit that I wish it were better. Director Roland Emmerich has a certain leaden touch; the movie lumbers rather than glides.
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Independence Day
(1996)
77%
75%
John Powers
L.A. Weekly
Jun 2, 2026
John Carpenter handles a script the way a karate master handles a two-by-four: He makes lots of noise, then breaks it.
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Big Trouble in Little China
(1986)
65%
82%
John Powers
L.A. Weekly
May 28, 2026
Gag-laden and emotionally bogus, this yowza-yowza comedy is Iron John as written by Neil Simon.
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City Slickers
(1991)
84%
64%
John Powers
L.A. Weekly
May 22, 2026
Ego, ego, ego, ego.
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Hudson Hawk
(1991)
23%
56%
John Powers
NPR
May 18, 2026
Despite all its flaws, the movie's worth seeing just for Law's portrayal of Putin, which isn't merely juicy but revelatory.
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The Wizard of the Kremlin
(2025)
44%
- -
John Powers
NPR
May 12, 2026
Like any good sequel, the movie feels like a reunion.
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The Devil Wears Prada 2
(2026)
78%
- -
John Powers
L.A. Weekly
May 12, 2026
The trailer for this one has me shuddering with dread, but Frank Oz's comedy has a lot of good, nasty laughs.
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What About Bob?
(1991)
71%
79%
John Powers
L.A. Weekly
Mar 5, 2026
RoboCop has the strutting pleasures of good genre filmmaking.
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RoboCop
(1987)
84%
84%
John Powers
NPR
Mar 3, 2026
It's bursting with emotion and beauty; its costumes, hair and makeup are dazzling. Sang-il Lee's film tells a compelling story about friendship, the weight of history, the quest for perfection and the torturous road to becoming a living national treasure.
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Kokuho
(2025)
95%
- -
John Powers
NPR
Feb 19, 2026
A pleasingly rare example of what used to be commonplace.
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Crime 101
(2026)
88%
- -
John Powers
NPR
Feb 19, 2026
In its blend of high-art style and pulp crime story, Islands is a nifty piece of what we might call Existential Pop.
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Islands
(2025)
93%
- -
John Powers
NPR's Fresh Air
Feb 6, 2026
At its best, Erin's story takes the so-called "woman's picture" in an interesting new direction.
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Erin Brockovich
(2000)
87%
85%
John Powers
L.A. Weekly
Jan 22, 2026
Misery zips right along, propelled by its queasy, cruel humor, and by its two fine stars.
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Misery
(1990)
86%
90%
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