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Jeffrey Edalatpour
East Bay Express
Sep 16, 2026
While he’s found a handful that remain open, The Last Picture Shows pays homage to the 19,000 theaters whose neon signs went dim. They offered a pre-digital communal space before we collectively decided to stay home and go steady with our remote controls.
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The Last Picture Shows
(2026)
100%
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Jeffrey Edalatpour
East Bay Express
Aug 19, 2026
Viewers unaware of the backstory can simply watch the film as a snapshot of one rebellious adolescent’s summer by the seaside. A season spent pursuing the pleasures of wine, women and seafood, all accompanied by a 1970s playlist.
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Tony
(2026)
93%
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Jeffrey Edalatpour
East Bay Express
Feb 18, 2026
Skarsgård undercuts his onscreen presence as the ultimate object of desire by discarding Ray’s soul. He’s an impenetrable alpha male whose only need for connection is physical.
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Pillion
(2025)
99%
- -
Jeffrey Edalatpour
East Bay Express
Dec 23, 2025
In the world Filho constructs, moral ambiguity doesn’t exist. Everyone is complicit.
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The Secret Agent
(2025)
98%
- -
Jeffrey Edalatpour
East Bay Express
Sep 16, 2025
With vast archival resources at his disposal, Veiel has constructed an eviscerating cinematic response to Leni Riefenstahl’s life and career as well as Ray Müller’s 1993 documentary, The Wonderful Horrible Life of Leni Riefenstahl.
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Riefenstahl
(2024)
97%
- -
Jeffrey Edalatpour
Metro Silicon Valley
Jun 4, 2025
This retro-futurism is fun to look at but the people posed inside these dioramas are as lifeless as dolls. Anderson places them inside of a weightless plot whose elements have been pilfered from early 20th century young adult adventure novels.
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The Phoenician Scheme
(2025)
77%
- -
Jeffrey Edalatpour
East Bay Express
Apr 9, 2025
When a pipe bursts and floods the space, the camera captures a farcical ballet choreographed by a gleeful demon. The scene rivals the best moments from Marx Brothers’ films like Duck Soup and A Night at the Opera.
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La Cocina
(2024)
72%
- -
Jeffrey Edalatpour
Metro Silicon Valley
Mar 5, 2025
In comparison with the real-life Larson who died in 1999, Paul Walter Hauser underplays the man’s genuine enthusiasm.
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The Luckiest Man in America
(2024)
67%
- -
Jeffrey Edalatpour
Metro Silicon Valley
Jan 15, 2025
The director arranges his subjects inside a tableau composed of vibrant color schemes and lush, enviable living quarters. If paused, the most beautiful scenes could be printed out and mounted on a gallery wall.
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The Room Next Door
(2024)
80%
- -
Jeffrey Edalatpour
Metro Silicon Valley
Dec 31, 2024
Craig fuels the character with a mournful aura of longing and restlessness. We watch as the character’s sense of self melts away and out of the actor’s astonishing blue eyes.
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Queer
(2024)
76%
- -
Jeffrey Edalatpour
East Bay Express
Aug 20, 2024
Widow Clicquot isn’t [Bennett's] first starring role, but it provides her with an opportunity to carry a feature film in which a solitary woman dismantles the patriarchy.
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Widow Clicquot
(2023)
79%
- -
Jeffrey Edalatpour
KQED (San Francisco)
Jul 20, 2024
Like Francis Bacon, Lanthimos favors a brutal vision of humanity that makes realistic portraiture pale in comparison.
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Kinds of Kindness
(2024)
71%
- -
Jeffrey Edalatpour
East Bay Express
Mar 21, 2024
A dialogue about asparagus, passionfruit and rhubarb turns into a philosophical and artistic inquiry about technique, appearance and taste. The pace of the exchange rivals every Éric Rohmer movie.
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Menus-Plaisirs Les Troisgros
(2023)
100%
83%
Jeffrey Edalatpour
East Bay Express
Feb 13, 2024
The Taste of Things is, after all, a Juliette Binoche film. From Three Colours: Blue to Let the Sunshine In, the actress carries an air of tragedy around her neck like a sheer gossamer scarf.
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The Taste of Things
(2023)
97%
44%
Jeffrey Edalatpour
East Bay Express
Oct 11, 2023
The documentary is a competent introduction of Fisher’s life and work to neophytes.
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The Art of Eating: The Life of M.F.K. Fisher
(2022)
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Jeffrey Edalatpour
Metro Silicon Valley
Sep 13, 2023
In Babak Jalali’s film Fremont, the city features less as an actual place -- architecture and landscape shots rarely appear on screen -- but as a psychic weigh station where Donya lands to evaluate the state of her soul.
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Fremont
(2023)
98%
87%
Jeffrey Edalatpour
East Bay Express
Aug 23, 2023
Sachs, who co-wrote the film, captures something more elusive about the nature of desire and its connection to the creation of art.
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Passages
(2023)
94%
72%
Jeffrey Edalatpour
East Bay Express
May 24, 2023
[The central] conflict wears thin almost immediately, but is supplemented by the director’s characteristic skill at managing a variety of sardonic subplots.
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You Hurt My Feelings
(2023)
94%
64%
Jeffrey Edalatpour
East Bay Express
Mar 29, 2023
Under normal circumstances, the story of Cioma Schönhaus’ brief career in forgery would be a standard crime drama. But Maggie Peren’s film, The Forger, inverts the genre, with much more at stake than someone pulling off a scheme to get rich.
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The Forger
(2022)
71%
99%
Jeffrey Edalatpour
KQED (San Francisco)
Mar 23, 2023
It’s difficult, as an American, to believe any member of the monarchy could possibly be an underdog, as The Lost King seems to posit.
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The Lost King
(2022)
77%
92%
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