Jason Anderson

Jason Anderson Uncut Magazine [UK] Oct 15, 2026 4/5 These elements cohere into an uncommonly rich portrait, one that balances an insightful appreciation of Peart’s artistry and ingenuity (hence his nickname of “The Professor”) with an affectionate look at a complex man... Go to Full Review Neil Peart: No One's Disciple (2026) - - - -

Jason Anderson Sight & Sound May 14, 2026 A valuable and compelling addition to the growing canon of features and documentaries on the subject because of the ways it prioritises the perspectives of autistic individuals and their families. Go to Full Review The Reason I Jump (2020) 97% 75%

Jason Anderson Sight & Sound May 13, 2026 Da-Rin’s poignant and pointed film doesn’t let viewers forget about the pain, injustice and devastation happening around him. Go to Full Review The Fever (2019) 91% 57%

Jason Anderson Sight & Sound Apr 24, 2026 In this poignant story of a teen athlete ostracised by his teammates after a traumatising accident, Belgian director Valéry Carnoy captures the volatile nature of adolescent masculinity with striking empathy. Go to Full Review Wild Foxes (2025) 94% - -

Jason Anderson Sight & Sound Dec 31, 2025 The film is also rescued from its more precious and sentimental excesses by the power and complexity of Sarr’s central performance. Go to Full Review Io Capitano (2023) 96% - -

Jason Anderson Sight & Sound Dec 31, 2025 There’s something magical about the warmth, love and generosity the five express to one another, and radiate outward toward the others they encounter – and the film’s audience. Go to Full Review Gasoline Rainbow (2023) 93% - -

Jason Anderson Sight & Sound Nov 11, 2025 Then again, the fact that the rambunctious youngsters seem to have wandered in from a summer-camp movie evidently shooting nearby only serves to accentuate the fundamental Canadian-ness of Chamandy’s largely endearing debut. Go to Full Review Allen Sunshine (2024) - - - -

Jason Anderson Sight & Sound Nov 11, 2025 A largely sober tone allows The Contestant to avoid the kitsch that the subject of Japan’s extreme brand of TV competitions typically attracts. Go to Full Review The Contestant (2023) 92% - -

Jason Anderson Sight & Sound Nov 6, 2025 Even at a briskly paced 80 minutes, Matt and Mara manages to be remarkably astute about its central relationship’s cocktail of suppressed desire and professional envy. Go to Full Review Matt and Mara (2024) 87% - -

Jason Anderson Sight & Sound Nov 6, 2025 Peter Hastings’s movie incarnation of the popular graphic novel series presents a cheerful whirlwind of goofball gags, silly puns and moments of real poignancy in an endearing, unpolished package. Go to Full Review Dog Man (2025) 82% - -

Jason Anderson Sight & Sound Nov 4, 2025 Akiva Schaffer’s police-procedural reboot is refreshingly silly and expertly paced, with Liam Neeson and Pamela Anderson fully committing to the bit. Go to Full Review The Naked Gun (2025) 88% - -

Jason Anderson eye WEEKLY Sep 22, 2024 Despite its commercial success, it was perhaps the last grand artistic folly that Hollywood would tolerate, and a golden age of American filmmaking soon stumbled to a close. Go to Full Review Apocalypse Now Redux (1979) 93% 91%

Jason Anderson Uncut Magazine [UK] Oct 26, 2023 4/5 Directors Andy Brown and Brian Lindstrom... create something that attains the same grace and beauty heard in Sill’s music. Go to Full Review Lost Angel: The Genius of Judee Sill (2022) 92% - -

Jason Anderson Sight & Sound Jun 8, 2023 For all the pleasure viewers may take in the sight of nameless Nazis being dispatched and dismembered, they may be surprised by the film’s solemnity, too. Go to Full Review Sisu (2022) 94% 88%

Jason Anderson Cinema Scope Feb 16, 2023 The Situationists and the Sex Pistols may have had nothing good to say about cheap holidays in other people’s misery, but Wells finds a wealth of beauty and heartache in this one. Go to Full Review Aftersun (2022) 96% 82%

Jason Anderson eye WEEKLY May 1, 2021 5/5 The original series of 10 hour-long films has all of the qualities that mark Kieslowski's better-known work. Go to Full Review The Decalogue (1989) 100% 98%

Jason Anderson Globe and Mail Apr 27, 2020 2/4 Viewers looking for more than a few secondhand thrills should drive right past The Hitcher. Go to Full Review The Hitcher (2007) 19% 52%

Jason Anderson Sight & Sound Dec 28, 2018 While The Man from Mo' Wax follows a conventional doc structure as it charts its subject's rise, fall and last-act resurgence, Jones finds more inventive ways of framing Lavelle's saga. Go to Full Review The Man From Mo'Wax (2016) 77% 89%

Jason Anderson Cinema Scope Sep 10, 2018 Moss ultimately has the chance to dial it down and reveal unexpected layers to Becky, a woman who lives too fast because living any slower means feeling paralyzed by fear and need. Go to Full Review Her Smell (2018) 83% - -

Jason Anderson Sight & Sound Mar 13, 2018 Sweet Country's complexity and sophistication mark it as a landmark work of Indigenous cinema. Go to Full Review Sweet Country (2017) 96% 71%