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J. Hoberman
Village Voice
Oct 20, 2026
Full Metal Jacket is sometimes unpleasant and often wrongheaded, but it's more than once indelible and hardly ever boring.
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Full Metal Jacket
(1987)
84%
94%
J. Hoberman
Artforum
Oct 15, 2026
However well received, the movie is hardly a blockbuster. In its anti-corporate, relative commercial purity Coyote vs. Acme serves as a corrective to a previous Warner Bros. product, namely the egregious Space Jam.
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Coyote vs. Acme
(2026)
96%
- -
J. Hoberman
The New York Review of Books
Sep 2, 2026
Amrum is typically described as a coming-of-age story, but it is also a children’s adventure narrative in the manner of a Grimms’ folk tale predicated on “the difficult task” (die schweren Aufgaben).
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Amrum
(2025)
98%
- -
J. Hoberman
New York Times
Jul 30, 2026
Impressive a quarter century ago, it seems even more so today.
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The Hole
(1998)
86%
85%
J. Hoberman
Village Voice
Mar 18, 2026
It's a superior entertainment -- as creepy, witty, and suggestive as its disreputable genre would warrant.
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The Howling
(1981)
76%
60%
J. Hoberman
New York Times
Feb 9, 2026
"Stranger on the Third Floor” is a fantastic tale given authority by its sets, special effects and production design.
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Stranger on the Third Floor
(1940)
75%
64%
J. Hoberman
Village Voice
Jan 21, 2026
As comedy, no less than camp, the movie inspires little more than rote chuckles. It's too smugly mush-brained to be funny and may even be too snuggly mush-hearted to sell.
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The American President
(1995)
90%
77%
J. Hoberman
Village Voice
Sep 24, 2025
Treating the rise and fall of an adult entertainment star without flinching from its allegorical potential, Anderson has produced what may be the American movie of the year on what is surely the subject of any age.
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Boogie Nights
(1997)
91%
89%
J. Hoberman
LA Weekly/Village Voice
Sep 22, 2025
An ambitious attempt to fuse folklore and domestic drama, this may be Charles Burnett’s most original film—providing, among other things, Danny Glover’s career performance as an enigmatic trickster.
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To Sleep With Anger
(1990)
93%
79%
J. Hoberman
Village Voice
Sep 22, 2025
As fastidious (and unbelievable) as enigmatic Sydney, Hard Eight has a precise narrative structure and a clean, vérité look.
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Hard Eight
(1996)
82%
83%
J. Hoberman
New York Times
Aug 13, 2025
Hectic yet smooth and powered by an extensive playlist of vintage Motown.
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Cooley High
(1975)
83%
88%
J. Hoberman
Village Voice
Jul 11, 2025
The film is overplotted and rickety.
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Explorers
(1985)
49%
66%
J. Hoberman
Village Voice
Jun 30, 2025
Less story-driven than Jaws or even Jurassic Park, The Lost World eliminates transitional scenes, recapitulating its predecessor's thrills as if running down a checklist... Much of it is just unpleasantly nerve-racking.
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The Lost World: Jurassic Park
(1997)
57%
51%
J. Hoberman
Village Voice
Jun 25, 2025
Romero has remained true to the wise-guy left-liberalism that underlies the E.C. gross-out aesthetic.
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Day of the Dead
(1985)
62%
75%
J. Hoberman
Village Voice
Jan 23, 2025
Eraserhead's not a movie I'd drop acid for, although I would consider it a revolutionary act if someone dropped a reel of it into the middle of Star Wars.
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Eraserhead
(1977)
87%
82%
J. Hoberman
The New York Review of Books
Jan 15, 2025
Similarly devoid of nuance, its moral reckoning accentuated by brilliant black-and-white cinematography, Green Border is a visceral ordeal and virtuoso tumult.
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Green Border
(2023)
94%
- -
J. Hoberman
Artforum
Oct 9, 2024
Alexander Horwath’s erudite, entertaining three-hour meta-biopic.
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Henry Fonda for President
(2024)
86%
- -
J. Hoberman
Village Voice
Aug 6, 2024
At least Alien 3 had intimations of mythological grandeur. Too tepid to be satire, "Resurrection" has reached the point of diminishing returns.
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Alien Resurrection
(1997)
55%
39%
J. Hoberman
Village Voice
Apr 3, 2024
The spirit of desecration rules Mel Brooks’s Spaceballs. Buoyant, unsentimental low comedy, this manic Star Wars parody is continually vulgar without ever seeming smarmy.
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Spaceballs
(1987)
53%
83%
J. Hoberman
The Nation
Mar 30, 2024
Indeed, given Jude’s willingness to engage with (or disinclination to disengage from) the cyber-powered second life, Do Not Expect is more despairing if even funnier than Bad Luck Banging.
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Do Not Expect Too Much from the End of the World
(2023)
95%
- -
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