Glenn Dunks

Glenn Dunks reDocumented Sep 11, 2026 This is a simple film. A film of faces and bodies and lives well lived told with video 1978, 2003 and now 2025 that speaks to the ordinariness and the extraordinariness of humanity. A quiet, unadorned film... Go to Full Review The Bend in the River (2025) 100% - -

Glenn Dunks reDocumented Sep 11, 2026 I found myself wishing Wilson actually did focus on a little bit more on [concrete] when he was at times maybe having a little bit too much fun with his coterie of peculiar faces and even more peculiar personalities. Go to Full Review The History of Concrete (2026) 97% - -

Glenn Dunks reDocumented Sep 11, 2026 But such is often the power of a Benning film. By doing seemingly so little, he is able to say so much and, perhaps most importantly, allow us, the viewer, to consider it. The sweet magic of life. Go to Full Review Eight Bridges (2026) - - - -

Glenn Dunks reDocumented Sep 11, 2026 What was Philippe attempting to do here? One suspects this is more a film for himself and for Novak than wider audiences who may not quite grasp just how important and incredible Vertigo is... Go to Full Review Kim Novak's Vertigo (2025) 88% - -

Glenn Dunks reDocumented Sep 11, 2026 This is a film about what can happen when society and adults empower younger people and don’t just assume the worst from them. The kids may be all right if you let them be! Go to Full Review Teenage Wasteland (2025) 100% - -

Glenn Dunks reDocumented Jul 19, 2026 Valdez and his story is a guiding through-line for the viewer in understanding the importance of art and culture to Chicano people and their part of the American story, as well as the richness of what the Chicano identity really meant to people. Go to Full Review American Pachuco: The Legend of Luis Valdez (2026) 96% - -

Glenn Dunks reDocumented Jul 7, 2026 I noted to a friend that a film such as this is a real, genuine privilege to watch. Which maybe sounds silly, but it is! What an honour to be granted access into this once-in-a-lifetime experience some 50-odd years later. Go to Full Review Once Upon a Time in Harlem (2026) 100% - -

Glenn Dunks reDocumented Jun 25, 2026 That the filmmaking is so nauseously overbearing to boot makes this an unfortunate collision between empty and excess that I didn’t enjoy. Go to Full Review Hanging by a Wire (2026) 88% - -

Glenn Dunks reDocumented Jun 15, 2026 And as our world gets smaller and shorter through TikTok and whatever other social media feed we're all wading through, I find myself admiring anything that can cut through and light up my mind like this film did. Go to Full Review Lumière ! Le cinéma (2025) - - - -

Glenn Dunks reDocumented Jun 15, 2026 That nostalgic tact to tracing the story... is probably the right choice. I would have liked for Pankiw's film to really borough in on some of the thornier issues given it's 30 years removed, but it's hard to be too pressed by the choice. Go to Full Review Lilith Fair: Building a Mystery (2025) 100% - -

Glenn Dunks reDocumented Jun 15, 2026 And while I am usually one to encourage such directorial pivots from documentary norms ... in this instance, the Michigan filmmakers were simply doing a bit too much. Go to Full Review Aanikoobijigan (2026) 91% - -

Glenn Dunks reDocumented Jun 15, 2026 This man’s family is all very nice and lovely and the home movies we see recorded across decades are sweetly affecting, but the truth is there is also a whole lot of the family stuff that feels less than essential. Go to Full Review Time and Water (2026) 91% - -

Glenn Dunks reDocumented Jun 15, 2026 This is a biography, fairly standard in its conception, I suppose, that nonetheless takes on the form of an essential queer text much like the very works of its subject, Barbara Hammer. Go to Full Review Barbara Forever (2026) 100% - -

Glenn Dunks reDocumented May 24, 2026 The mystery of Buzzy and the quasi red string theories that it provokes in people is perhaps a far less interesting than the general vibe of it all, which is ever so off-kilter and strange. I wish Bailey had perhaps honed in more on that. Go to Full Review Stolen Kingdom (2025) 94% - -

Glenn Dunks reDocumented May 24, 2026 Unfortunately, in this instance, what he and his subjects got out of Ghost Elephants is potentially very different to what the viewer will. Go to Full Review Ghost Elephants (2025) 98% - -

Glenn Dunks reDocumented May 24, 2026 For one reason or another, I never really clicked into this documentary, framed as it is as irreverent and kooky more than deeply disturbed. Go to Full Review John Lilly and the Earth Coincidence Control Office (2025) 70% - -

Glenn Dunks reDocumented May 13, 2026 And roping in James Cameron during a break from Avatar post-production is such a baller coup and his dorky admiration for her is charming to witness... Cameron is such a deeply sincere person that I really want to believe he’s genuine. Go to Full Review Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D) (2026) 92% - -

Glenn Dunks reDocumented May 13, 2026 You know what? It’s great that there is a documentary for stoners and acid trippers. Non-fiction for all, I say! Go to Full Review Phenomena (2026) - - - -

Glenn Dunks reDocumented May 13, 2026 The final product is candid, exciting, funny, voyeuristic, and a tribute to Madonna’s work ethic as well as a shrine to her position in pop culture, her talent and, yes, her ego. Go to Full Review Madonna: Truth or Dare (1991) 86% 70%

Glenn Dunks reDocumented May 13, 2026 I'm not sure Herbert is particularly interesting enough to warrant a full documentary about himself... Nor do I think the film really goes above and beyond the call of duty in telling his story beyond hitting all of the beats that one might expect. Go to Full Review The King of Color (2025) - - - -