Gisela Savdie

Gisela Savdie Letra Urbana Oct 20, 2026 More than a film about Iran, the movie is a universal reflection on the value of culture in the face of intolerance. It reminds us that, even in the most adverse circumstances, reading can become an act of resistance and hope. [Full review in Spanish] Go to Full Review Reading Lolita in Tehran (2024) 82% - -

Gisela Savdie El Heraldo Oct 20, 2026 Through her gaze and her body, Maura conveys María’s resilience, pride, and vulnerability, and Touzani understands that dignity also manifests itself in small gestures. [Full review in Spanish] Go to Full Review Calle Malaga (2025) 98% - -

Gisela Savdie El Heraldo Oct 20, 2026 The film aptly highlights the role of debt, real estate speculation, and a system designed to protect its own rules. This does not justify the kidnapping, but it does help one understand the environment that made it possible. [Full review in Spanish] Go to Full Review Dead Man's Wire (2025) 91% - -

Gisela Savdie El Heraldo Oct 20, 2026 The film offers a broad overview of Palestinian society at the time, with restored archival footage contributing to that reconstruction, creating a dialogue between historical memory and the present. [Full review in Spanish] Go to Full Review Palestine '36 (2025) 98% - -

Gisela Savdie El Heraldo Oct 20, 2026 The film, which touches on genres such as the musical, psychological drama, comedy, and a touch of the thriller, ends up being a true ode to traditional theater. [Full review in Spanish] Go to Full Review The Debut (2026) 90% - -

Gisela Savdie El Heraldo Oct 19, 2026 If there is any biography that lends itself to being told out of chronological order, it is that of this Czech writer, whose inner life is as fascinating as it is elusive. [Full review in Spanish] Go to Full Review Franz (2025) 75% - -

Gisela Savdie Letra Urbana Jun 23, 2026 Literature, poetry, dance, and music are integrated into a sensory experience that breaks with classical realism, and approaches a more emotional and evocative experience. [Full review in Spanish] Go to Full Review La Bola Negra (2026) 87% - -

Gisela Savdie Letra Urbana Jun 23, 2026 The film invites us to reflect on the many facets of contemporary social problems, reminding us that the answers are rarely simple or absolute. [Full review in Spanish] Go to Full Review Fjord (2026) 91% - -

Gisela Savdie Letra Urbana Jun 23, 2026 From its very first scene, something vibrates in the air, a hard-to-name unease that settles into the bodies of its protagonists, which promises good character development. Unfortunately, it's left hanging along the way. [Full review in Spanish] Go to Full Review Two Women (2025) 76% - -

Gisela Savdie Letra Urbana Jun 23, 2026 Eleanor the Great is a comedy that tackles the Holocaust, an extremely sensitive subject rarely addressed in a comedic tone. However, Johansson skillfully meets this challenge and achieves a successful result. [Full review in Spanish] Go to Full Review Eleanor the Great (2025) 68% - -

Gisela Savdie El Heraldo Jun 23, 2026 A modest, warm, and bittersweet film which reminds us that behind every success there are stories of sacrifice, renunciations and dreams that never completely disappear. [Full review in Spanish] Go to Full Review Power Ballad (2026) 88% - -

Gisela Savdie El Heraldo Jun 23, 2026 The film translates the protagonist's emotions through a free association of images and sounds. [Full review in Spanish] Go to Full Review The Chronology of Water (2025) 91% - -

Gisela Savdie El Heraldo Jun 23, 2026 ‘Minotaur’ confirms Zvyagintsev’s talent for turning domestic spaces into scenes of moral and political tension. [Full review in Spanish] Go to Full Review Minotaur (2026) 98% - -

Gisela Savdie El Heraldo Jun 23, 2026 Bardem and Luengo's performances solidly support the film. Emilia's emotional restraint is particularly noteworthy, as she grapples with an experience teetering between professional validation and personal exhaustion. [Full review in Spanish] Go to Full Review The Beloved (2026) - - - -

Gisela Savdie El Heraldo Jun 23, 2026 The movie meets the requirements of an opening film, but aside from being a fleeting entertainment, it would work better if half an hour of some repetitive scenes were cut. [Full review in Spanish] Go to Full Review The Electric Kiss (2026) 52% - -

Gisela Savdie El Heraldo Jun 23, 2026 Body movement, here, is language and liturgy, and the musical adaptation underlines its ritual dimension. [Full review in Spanish] Go to Full Review The Testament of Ann Lee (2025) 85% - -

Gisela Savdie El Heraldo Jun 23, 2026 The film forces us to think not only about the visible culprits but also about the ecosystem that turns ideological poisoning into a profitable spectacle. [Full review in Spanish] Go to Full Review Louis Theroux: Inside The Manosphere (2026) 76% - -

Gisela Savdie El Heraldo Jun 23, 2026 Yeon Sang-ho confirms that he remains interested in making the viewer uncomfortable, looking squarely at the darkest aspects of society. Go to Full Review The Ugly (2024) 56% - -

Gisela Savdie El Heraldo Jun 23, 2026 Convincingly, the director immerses us in the characters' emotions. Imperceptibly, its denunciation grows, until the murmur becomes a statement. [Full review in Spanish] Go to Full Review In A Whisper (2026) 93% - -

Gisela Savdie El Heraldo Jun 23, 2026 The character development is intelligent, leading the audience through a mixture of implicit violence and submission to social impositions.[Full review in Spanish] Go to Full Review Rose (2026) 97% - -