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Gerald Peary
Boston Phoenix
Sep 18, 2026
Unfortunately, the film makes its strongest case for the husbands.
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The First Wives Club
(1996)
56%
68%
Gerald Peary
Boston Phoenix
Jul 28, 2026
2/4
Its comedy more ugly than amusing.
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Matilda
(1996)
90%
73%
Gerald Peary
Arts Fuse
Jun 23, 2026
A sparkling no-budget regionalist drama set in small-town Nevada about a bunch of outsider teens.
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Sparks
(2026)
90%
- -
Gerald Peary
Arts Fuse
Jun 23, 2026
I savored Schoenbrun’s smart, revisionist take on the slasher genre. And — a slightly guilty pleasure — I relished the inventive, creepy foray into extreme violence culminating in a lesbian lovefest bloodbath.
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Teenage Sex and Death at Camp Miasma
(2026)
94%
- -
Gerald Peary
Arts Fuse
Jun 23, 2026
A film that has no compelling story, no dramatic arc, and which begins, middles, and ends in the same too-mellow place.
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Summer Tour
(2025)
- -
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Gerald Peary
Arts Fuse
Jun 23, 2026
Soul Patrol offers a melancholy, touching elegy to a brave and honorable bunch of ex-soldiers, proud of what they did even if still conflicted about whether the Vietnam War was worth fighting.
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Soul Patrol
(2026)
95%
- -
Gerald Peary
Arts Fuse
Jun 23, 2026
Give Me the Ball! offers a winning portrait of Billie Jean King as a pioneering activist for women tennis players seeking equal pay and also as a slowly coming-out lesbian.
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Give Me the Ball!
(2026)
100%
- -
Gerald Peary
Arts Fuse
Jun 23, 2026
I liked the Mary Oliver documentary, ably directed by Sasha Waters.
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Mary Oliver: Saved by the Beauty of the World
(2026)
94%
- -
Gerald Peary
Arts Fuse
Apr 20, 2026
In a worthy way, Ozon pulls The Stranger into the 21st century.
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The Stranger
(2025)
91%
- -
Gerald Peary
Arts Fuse
Jun 24, 2025
Dreams (Sex Love) is a film that can be read and argued about in many ways, and it’s even better with its shifting experimental voiceover and its three-generation voices of fascinating, articulate women.
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Dreams
(2024)
91%
- -
Gerald Peary
Arts Fuse
Jun 24, 2025
Cooperman succeeded admirably in her ambition: to locate common ground and humanity in a rough and right-wing American community.
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Creede U.S.A.
(2025)
- -
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Gerald Peary
Arts Fuse
Jun 23, 2025
The character of Anand is too passive to really get behind and root for, and Kanawade’s direction is somewhat languid, even sluggish.
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Cactus Pears
(2025)
95%
- -
Gerald Peary
Arts Fuse
Jun 23, 2025
The Baltimorons is fairly funny, a bit slim.
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The Baltimorons
(2025)
93%
- -
Gerald Peary
Arts Fuse
Jun 23, 2025
We don’t learn enough about any of the teeners to make their journeys psychologically or spiritually meaningful.
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Folktales
(2025)
85%
- -
Gerald Peary
Arts Fuse
Jun 23, 2025
Hooray for this weighty and necessary film! Hooray for mighty librarians!
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The Librarians
(2025)
95%
- -
Gerald Peary
Arts Fuse
May 15, 2025
Several of the most delightful scenes in Marcella feature young chefs, Hazan acolytes, making her most iconic dishes. Baked chicken done with salt and two lemons sewn inside. That’s all.
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Marcella
(2024)
91%
- -
Gerald Peary
Arts Fuse
May 8, 2025
The movie capsizes and never recovers when Anne arrives at the Riviera. She’s played by Chloë Sevigny. A disastrous miscasting.
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Bonjour Tristesse
(2024)
68%
- -
Gerald Peary
Arts Fuse
Mar 10, 2025
Despite the melancholia in the air, Ex-Husbands is still fun to watch for the atmospheric use of scenic Tulum on the Yucatan Peninsula.
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Ex-Husbands
(2023)
76%
- -
Gerald Peary
Arts Fuse
Mar 4, 2025
DeFranco's didactic female-empowerment music doesn't register for me. But she's a complicated, absorbing person who held my attention completely in 1-800-On-Her-Own.
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1-800-ON-HER-OWN
(2024)
- -
- -
Gerald Peary
Arts Fuse
Jun 25, 2024
A far too worshipful saga of Liza Minnelli, which title, like its hero, is way over the top: Liza: a Truly Terrific Absolutely True Story.
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Liza: A Truly Terrific Absolutely True Story
(2024)
91%
- -
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