Felicia Feaster

Felicia Feaster Turner Classic Movies Online Jan 7, 2026 Bitter, cynical, fatalistic and peppered with some of the best crackling, tough-guy dialogue in the genre, Out of the Past is a consummate example of film noir made during the movement's golden age in the '40s and '50s. Go to Full Review Out of the Past (1947) 88% 92%

Felicia Feaster Riverfront Times May 19, 2022 Another feel-good warm bath of niceness set amidst the Brits, A New Era feels like a period answer to Ted Lasso, a similarly sweet confection in which simple goodness always prevails and everyone is relatively well-behaved. Go to Full Review Downton Abbey: A New Era (2022) 87% 97%

Felicia Feaster Riverfront Times May 12, 2022 This is not a children’s movie but one, instead, that records in exacting detail the unique perception, imagination and even the slower, more prolonged sense of time that defines how children experience the world. Go to Full Review Petite Maman (2021) 97% 80%

Felicia Feaster Riverfront Times Apr 26, 2022 No Exit’s script ladles on the usual plot twists and body horror, introducing new, grisly ways to assault flesh and bone. But the tension is lukewarm. Go to Full Review No Exit (2022) 62% 53%

Felicia Feaster Riverfront Times Apr 26, 2022 It's largely Rylance who carries the plot on charisma and an onion-peel performance that reveals its layers as The Outfit unfolds. Go to Full Review The Outfit (2022) 86% 92%

Felicia Feaster Riverfront Times Apr 26, 2022 Real life adulting is the ultimate foe to be vanquished in this deliriously haywire fantasy, a cinematic tab of acid buried in a metaphysical fable. Go to Full Review Everything Everywhere All at Once (2022) 93% 20%

Felicia Feaster Culturopolis Jul 23, 2021 Director Eliza Hittman's devastating Never Rarely Sometimes Always is a coming-of-age with a difference. Go to Full Review Never Rarely Sometimes Always (2020) 99% 55%

Felicia Feaster Creative Loafing Feb 4, 2020 Graced with a smart, pathos-laden meditation on male competition and the blood-drawing ferocity of a money-centered culture, along with screenwriter Guinevere Turner, Harron does a transformative voodoo on an often repugnant source. Go to Full Review American Psycho (2000) 69% 85%

Felicia Feaster Creative Loafing Feb 4, 2020 [T]here's very little to hold onto in this lackluster, uninspiring film with the disappointing inertness of a deflated balloon. Go to Full Review Punch-Drunk Love (2002) 79% 77%

Felicia Feaster Creative Loafing Feb 4, 2020 Few films capture how hostile and enormous the world can be for children and the defenses they create to cope, but this easygoing, lovely film does, to great, tender effect. Go to Full Review Raising Victor Vargas (2002) 96% 83%

Felicia Feaster Creative Loafing Feb 4, 2020 More than simply unentertaining, The Ten comes from an America of silly, laddish self-regard and hollow protest. Go to Full Review The Ten (2007) 36% 40%

Felicia Feaster Creative Loafing Feb 4, 2020 Pascale Ferran's Lady Chatterley is as exquisite and memorable for the way it burrows beneath its characters' skin, into the discrete and lonely worlds they occupy. Go to Full Review Lady Chatterley (2006) 76% 59%

Felicia Feaster Creative Loafing Feb 4, 2020 Bloated by self-regard, Masked and Anonymous is the essence of the self-aggrandizing benefit concerts it weakly parodies. Go to Full Review Masked and Anonymous (2003) 27% 45%

Felicia Feaster Creative Loafing Feb 4, 2020 Cronenberg's thoroughly creepy and hypnotic film often has the texture of damp wool, his evocation of claustrophobic brooding so intense you can nearly smell the mildew. Go to Full Review Spider (2002) 84% 68%

Felicia Feaster Creative Loafing Feb 4, 2020 Unfortunately, the Spanish enfant terrible's iconoclastic artistic hysteria never rises to the surface in Talk to Her. Go to Full Review Talk to Her (2002) 91% 93%

Felicia Feaster Creative Loafing Feb 4, 2020 For all its tantalizing forays into the narcotic, head-swimming loss of self and perspective in addiction, Auto Focus never quite extends its sympathy to its characters or convinces us that they are real people. Go to Full Review Auto Focus (2002) 71% 61%

Felicia Feaster Creative Loafing Feb 4, 2020 The Quiet American is an accurate if not entirely soul-quaking adaptation of Greene's style to film. It establishes such a believable atmosphere of quiet, old-fashioned gentility that when a moment of violence occurs, the carnage is even more devastating. Go to Full Review The Quiet American (2002) 87% 72%

Felicia Feaster Creative Loafing Feb 4, 2020 The strangest of birds - a film about a Communist, bisexual, hirsute, maverick artist aimed squarely at a mainstream audience - Frida may, in fact, turn out to be more radical than it first appears. Go to Full Review Frida (2002) 76% 85%

Felicia Feaster Creative Loafing Feb 4, 2020 Diverting though Wordplay may be, when it moves into tournament-mode, the film suffers from the essentially undramatic nature of this solitary "sport." Go to Full Review Wordplay (2006) 94% 80%

Felicia Feaster Creative Loafing Feb 4, 2020 Twilight Samurai contains a powerful pacifist message about a hero free from the supposedly innate male taste for violence. Go to Full Review The Twilight Samurai (2002) 98% 94%