Fedor Tot

Fedor Tot Screen Slate Aug 26, 2026 Cine-Guerrilas is the simpler of the two films and it is more coherent. Go to Full Review Ciné-Guerrillas: Scenes from the Labudović Reels (2023) - - - -

Fedor Tot Screen Slate Aug 26, 2026 The movement’s origins represent a major feat of creative imagination and foreign policy, two fields which rarely intersect. Go to Full Review Non-Aligned: Scenes from the Labudović Reels (2023) - - - -

Fedor Tot Vague Visages Jan 31, 2025 A+ A series of mirror images, many of them contradictory, combine to say something more meaningful than the sum of its parts. Go to Full Review Juror #2 (2024) 93% - -

Fedor Tot Vague Visages Mar 2, 2024 Who Do I Belong To is social realist cinema at its stodgiest and most self-serious. Go to Full Review Who Do I Belong To (2024) 69% - -

Fedor Tot Vague Visages Nov 28, 2023 His willingness to play with the conventions of the genre, even with a mega-budget production, is precisely why this biopic is so refreshing, as Napoleon is very much a repudiation and a revolt against history’s “Great Men.” Go to Full Review Napoleon (2023) 58% 59%

Fedor Tot Vague Visages Nov 7, 2023 Discordant, broken, berserk: Branded to Kill refuses all direct relations with geography in its depiction of a career hitman on the verge of losing control. Go to Full Review Branded to Kill (1967) 100% 84%

Fedor Tot Vague Visages Nov 7, 2023 Time and Tide seems to gaze both forward and backwards at once, its breaking down of editing structure creating a strange discombobulating effect. Go to Full Review Time and Tide (2000) 67% 74%

Fedor Tot Vague Visages Nov 7, 2023 Fehér’s setting and use of cinematic space is key to Twilight’s mood. Go to Full Review Twilight (1990) 93% - -

Fedor Tot Vague Visages Nov 7, 2023 Detour plays like a fever dream powered by guilt and dread; an existential noir about an American male lost in the nothingness and vastness of the country. Go to Full Review Detour (1945) 98% 78%

Fedor Tot Vague Visages Nov 7, 2023 The power of Coach to Vienna today rests in its mythic quality... Go to Full Review Carriage to Vienna (1966) - - - -

Fedor Tot Vague Visages Nov 7, 2023 By dint of the fact that Rimini showcases such a vast gulf between performance and direction, Seidl’s return to fictional filmmaking is, if nothing else, hugely interesting. Go to Full Review Rimini (2022) 100% 63%

Fedor Tot Vague Visages Nov 7, 2023 More moralistic viewers might question if The Last Ride of the Wolves is in reality glamorizing these men, but I think Di Michele is a couple of steps ahead, both embracing that glamorization and distancing the audience from it. Go to Full Review The Last Ride of the Wolves (2022) - - - -

Fedor Tot Vague Visages Nov 7, 2023 The constant juxtaposition between the sheer joy of an impromptu summer romance and the reality of the surrounding world is The Story of a Three-Day Pass’ enduring legacy. Go to Full Review The Story of a Three-Day Pass (1967) 100% 91%

Fedor Tot Vague Visages Nov 7, 2023 Vader presents a nuanced and complex picture of fatherhood, as shaped by both individual personalities and wider social events. Go to Full Review #Vader Jacob (2020) - - - -

Fedor Tot Vague Visages Nov 7, 2023 Underground remains a controversial and wildly ambitious film, one that refuses to be pinned down. It's a never-ending hall of mirrors that reveals more about the audience than the narrative itself. Go to Full Review Underground (1995) 86% 96%

Fedor Tot Vague Visages Oct 27, 2023 The rhythms in Music — the shift from one image to the next — make sense in ways that defy obvious explanation, much like the film itself. Go to Full Review Music (2023) 83% - -

Fedor Tot Vague Visages Oct 18, 2023 The New Boy is a film of deep, mystical qualities, and I can’t wait to revisit it. Go to Full Review The New Boy (2023) 77% - -

Fedor Tot Vague Visages Oct 18, 2023 Stolevski’s work has air and breath to it, like someone in love with the energy of simply creating. Go to Full Review Housekeeping for Beginners (2023) 94% - -

Fedor Tot WeLoveCinema Sep 20, 2023 4/5 Invigorating insights into a nation at a crossroads Go to Full Review My Imaginary Country (2022) 94% 89%

Fedor Tot WeLoveCinema Sep 20, 2023 4/5 John Waters’ musical finds just the right balance of kitsch and sincerity. Go to Full Review Hairspray (1988) 98% 80%