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Dennis Lim
Independent (UK)
Aug 31, 2026
Even for a summer multiplex filler, the movie is garbled.
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Mission: Impossible
(1996)
65%
73%
Dennis Lim
Independent on Sunday
Jul 16, 2026
It may not be a masterpiece, it may not even rejuvenate the British film industry, but it remains far and away it most youthful product in a long while.
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Trainspotting
(1996)
93%
93%
Dennis Lim
Independent on Sunday
Jul 16, 2026
The movie isn't especially exciting (or coherent) and, in all honest, it's a bit of an eye-sore.
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Alien Resurrection
(1997)
55%
39%
Dennis Lim
Independent on Sunday
Apr 10, 2026
Although much of the book's magic remains, this is clearly Disneyfied Dahl.
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James and the Giant Peach
(1996)
91%
66%
Dennis Lim
Independent (UK)
Mar 11, 2026
Quite funny in parts, but there's something a little smug and mean-spirited about its reliance on uniformly easy targets.
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Waiting for Guffman
(1996)
91%
91%
Dennis Lim
Independent on Sunday
Jul 12, 2024
About as cinematic as, well, an 80-minute conference call. There's a cute short somewhere in here, but across a full-length feature, the gimmicky premise is spread very thinly indeed.
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Denise Calls Up
(1995)
71%
56%
Dennis Lim
Independent on Sunday
Jul 12, 2024
Short on ingenuity and verve but oozing undisguised preachiness, this well-meaning fable is unlikely to connect with its target audience.
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Rainbow
(1996)
13%
- -
Dennis Lim
Independent on Sunday
Jul 12, 2024
While Speed was a lean, self-contained piece, Twister is a lurching succession of awesome set-pieces barely held together by limp characterisation... It's a procession of thrills, but it doesn't add up to any kind of suspense.
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Twister
(1996)
68%
55%
Dennis Lim
Village Voice
Jul 12, 2023
The visual effects are impressive, but the movie’s overall style is wearing... The cumulative effect is perversely deflationary: long before it’s over, the film has flushed the paranoia from its system.
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The Matrix
(1999)
83%
85%
Dennis Lim
Out Magazine
May 24, 2022
The result is good-natured enough to withstand both an uneven cast (Alessandro Nivola and Adrian Lester are standouts, while Alicia Silverstone and Matthew Lillard struggle gamely) and its own limited novelty value.
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Love's Labour's Lost
(2000)
51%
40%
Dennis Lim
Out Magazine
May 24, 2022
Vanasse gives a performance of unaffected grace, and Pool reveals a keen eye for the formative moments of adolescence.
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Set Me Free
(1999)
83%
77%
Dennis Lim
Out Magazine
May 24, 2022
Wei sets off on a rescue odyssey that derives humor from the young heroine's alarmingly steely determination and pathos from the film's stark depiction of life on the street.
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Not One Less
(1999)
96%
90%
Dennis Lim
Out Magazine
May 24, 2022
Ardent and unflinching, Beau Travail looks beyond homoeroticism to the subtle, savage power games of an all-male world.
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Beau travail
(1999)
88%
77%
Dennis Lim
Artforum
Jun 3, 2019
Its unending California dream is the expression of a palpable, deeply poignant yearning.
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Once Upon a Time... In Hollywood
(2019)
86%
70%
Dennis Lim
Artforum
Jun 3, 2019
Liberté more than lived up to its title, suggesting that a truly free cinema is one that still believes in the possibility of subversion.
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Freedom
(2019)
71%
36%
Dennis Lim
Artforum
Jun 3, 2019
... an autumnal memory piece that arrives at a state of hard-won grace and serenity.
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Pain and Glory
(2019)
96%
91%
Dennis Lim
Artforum
Jun 3, 2019
...functioning equally as a delirious teen-horror reverie, a serious study of the zombie myth, and an open-ended riff on the persistence of the colonial past.
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Zombi Child
(2019)
85%
52%
Dennis Lim
Artforum
Jun 3, 2019
Parasite puts a wickedly literal spin on the notion that there is always someone lower on the socioeconomic ladder.
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Parasite
(2019)
99%
- -
Dennis Lim
Artforum
Jun 3, 2019
The potent, hallucinatory moods of Diop's previous work are beautifully assimilated here into an oneiric fable of migration and transmigration-suspended between realism and fantasy, the living and the dead, here and elsewhere.
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Atlantics
(2019)
96%
65%
Dennis Lim
Artforum
Jun 3, 2019
Far from a one-to-one political allegory, Bacurau is a work of powerfully inchoate despair and rage.
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Bacurau
(2019)
93%
84%
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