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Dan Tabor Cinapse Oct 29, 2026 I Don’t Want to Drink Your Blood Anymore is a stirring take on the mythical creature, exploring what happens when someone refuses to let go of their humanity, even when holding on to it might come at the cost of immortality itself. Go to Full Review I Don't Want to Drink Your Blood Anymore (2026) - - - -
Dan Tabor Cinapse Oct 28, 2026 Making Marie Antoinette offers up more than a simple EPK; it’s a moving tribute to Eleanor Coppola, whose daughter would go on to inspire her own filmmaking career Go to Full Review Making Marie Antoinette (2026) 100% - -
Dan Tabor Cinapse Oct 27, 2026 Diary of a Chambermaid may not be as bizarre or surreal as some of Jude’s previous films, but it proves he’s not simply interested in shocking his audience. When he has something meaningful to say, he knows exactly how to say it. Go to Full Review Diary of a Chambermaid (2026) 96% - -
Dan Tabor Cinapse Oct 26, 2026 NAZA is shocking, essential, and genuinely horrifying. What makes it so difficult to watch isn’t just the possibility of what has happened, but the knowledge that the devastation in Gaza continues. Go to Full Review NAZA (2026) 100% - -
Dan Tabor Cinapse Oct 26, 2026 With The Cycle Downey has delivered a mind melter that manages to be both genuinely nasty and emotionally affecting, which is a combination I’m always happy to see. Go to Full Review The Cycle (2026) 95% - -
Dan Tabor Cinapse Oct 12, 2026 I can’t shake the feeling that buried somewhere in Devour’s nearly two-hour runtime is a solid 90-minute indie horror movie trying to claw its way out. Go to Full Review DEVOUR (2025) - - - -
Dan Tabor ScreenAnarchy Oct 10, 2026 It’s a collection of increasingly unhinged vignettes, united by grotesque humor, gore, and enough bodily fluids to make you wonder if the film had a dedicated mop budget. Go to Full Review V/H/S/MIXTAPE (2026) 50% - -
Dan Tabor Cinapse Sep 23, 2026 Rather than turning in a straightforward salacious autobiography about a man who has been reduced to a meme, Lance Oppenheim uses the controversial and deeply flawed Hansen to pull the lens back on the righteous. Go to Full Review Primetime (2026) 86% - -
Dan Tabor Cinapse Sep 21, 2026 There are flashes of something genuinely unsettling here, and Graham gives the film a bruised, human center. Go to Full Review What Happened to Doris? (2026) 78% - -
Dan Tabor Cinapse Sep 11, 2026 Hope is a masterfully executed, audacious swing, and I’d much rather watch a filmmaker take a few big, messy chances than play it safe. Go to Full Review Hope (2026) 80% - -
Dan Tabor Cinapse Sep 4, 2026 As a kid who grew up in the ’80s watching whatever HBO or Cinemax decided to serve up in the wee hours, Onslaught scratches an itch that only this kind of movie can. Go to Full Review Onslaught (2026) 60% - -
Dan Tabor Cinapse Aug 7, 2026 Like Little Bites before it, Big Baby proves that Spider One has little interest in making horror that’s simply about the monster. He’s far more fascinated by the people haunted by it. Go to Full Review Big Baby (2025) 63% - -
Dan Tabor Cinapse Jul 30, 2026 It’s this dual perspective—celebrating the artistry while refusing to romanticize the artist—that makes Rubberhead one of the most engrossing documentaries ever made about the world of practical effects. Go to Full Review Rubberhead: The Life & Monsters of Steve Johnson (2026) 100% - -
Dan Tabor Cinapse Jul 28, 2026 The Last Temptation of Becky is a pulpy, gloriously unhinged adrenaline rush—a movie that delivers pure catharsis for anyone who thinks punching Nazis will never go out of style. Go to Full Review The Last Temptation of Becky (2026) 100% - -
Dan Tabor Cinapse Jul 22, 2026 The film just seems to drag when they get to the hospital as well, and it never really gets going again. Go to Full Review Halloween II (1981) 27% 63%
Dan Tabor Cinapse Jul 20, 2026 You are the Film proves that Makoto Ueda’s endlessly clever approach to storytelling still has plenty of surprises left. These microbudget marvels are pure cinematic joy. Go to Full Review You Are the Film (2026) 100% - -
Dan Tabor Cinapse Jul 19, 2026 Informative, nostalgic, and deeply heartfelt, The Origin of Ultraman is essential viewing for both lifelong Ultra fans and anyone curious about why this silver-and-red giant remains one of Japan’s greatest cultural icons. Go to Full Review The Origin of Ultraman (2026) - - - -
Dan Tabor Cinapse Jul 19, 2026 With Teenage Sex and Death at Camp Miasma, Jane Schoenbrun further cements themselves as not just one of the defining voices in queer cinema, but one of horror’s most vital contemporary filmmakers. Go to Full Review Teenage Sex and Death at Camp Miasma (2026) 94% - -
Dan Tabor Cinapse Jul 19, 2026 Her Private Hell is an intoxicating collision of fairy tale, Greek tragedy, and sadomasochistic fever dream. Go to Full Review Her Private Hell (2026) 40% - -
Dan Tabor Cinapse Jun 19, 2026 Death may be inevitable, but ignorance about it doesn’t have to be. Death Boom is an informative, fascinating, engaging, and unexpectedly empowering documentary that encourages audiences to confront one of life’s certainties Go to Full Review Death Boom (2026) 100% - -
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