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Dan Tabor
Cinapse
Oct 29, 2026
I Don’t Want to Drink Your Blood Anymore is a stirring take on the mythical creature, exploring what happens when someone refuses to let go of their humanity, even when holding on to it might come at the cost of immortality itself.
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I Don't Want to Drink Your Blood Anymore
(2026)
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Dan Tabor
Cinapse
Oct 28, 2026
Making Marie Antoinette offers up more than a simple EPK; it’s a moving tribute to Eleanor Coppola, whose daughter would go on to inspire her own filmmaking career
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Making Marie Antoinette
(2026)
100%
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Dan Tabor
Cinapse
Oct 27, 2026
Diary of a Chambermaid may not be as bizarre or surreal as some of Jude’s previous films, but it proves he’s not simply interested in shocking his audience. When he has something meaningful to say, he knows exactly how to say it.
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Diary of a Chambermaid
(2026)
96%
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Dan Tabor
Cinapse
Oct 26, 2026
NAZA is shocking, essential, and genuinely horrifying. What makes it so difficult to watch isn’t just the possibility of what has happened, but the knowledge that the devastation in Gaza continues.
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NAZA
(2026)
100%
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Dan Tabor
Cinapse
Oct 26, 2026
With The Cycle Downey has delivered a mind melter that manages to be both genuinely nasty and emotionally affecting, which is a combination I’m always happy to see.
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The Cycle
(2026)
95%
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Dan Tabor
Cinapse
Oct 12, 2026
I can’t shake the feeling that buried somewhere in Devour’s nearly two-hour runtime is a solid 90-minute indie horror movie trying to claw its way out.
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DEVOUR
(2025)
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Dan Tabor
ScreenAnarchy
Oct 10, 2026
It’s a collection of increasingly unhinged vignettes, united by grotesque humor, gore, and enough bodily fluids to make you wonder if the film had a dedicated mop budget.
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V/H/S/MIXTAPE
(2026)
50%
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Dan Tabor
Cinapse
Sep 23, 2026
Rather than turning in a straightforward salacious autobiography about a man who has been reduced to a meme, Lance Oppenheim uses the controversial and deeply flawed Hansen to pull the lens back on the righteous.
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Primetime
(2026)
86%
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Dan Tabor
Cinapse
Sep 21, 2026
There are flashes of something genuinely unsettling here, and Graham gives the film a bruised, human center.
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What Happened to Doris?
(2026)
78%
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Dan Tabor
Cinapse
Sep 11, 2026
Hope is a masterfully executed, audacious swing, and I’d much rather watch a filmmaker take a few big, messy chances than play it safe.
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Hope
(2026)
80%
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Dan Tabor
Cinapse
Sep 4, 2026
As a kid who grew up in the ’80s watching whatever HBO or Cinemax decided to serve up in the wee hours, Onslaught scratches an itch that only this kind of movie can.
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Onslaught
(2026)
60%
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Dan Tabor
Cinapse
Aug 7, 2026
Like Little Bites before it, Big Baby proves that Spider One has little interest in making horror that’s simply about the monster. He’s far more fascinated by the people haunted by it.
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Big Baby
(2025)
63%
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Dan Tabor
Cinapse
Jul 30, 2026
It’s this dual perspective—celebrating the artistry while refusing to romanticize the artist—that makes Rubberhead one of the most engrossing documentaries ever made about the world of practical effects.
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Rubberhead: The Life & Monsters of Steve Johnson
(2026)
100%
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Dan Tabor
Cinapse
Jul 28, 2026
The Last Temptation of Becky is a pulpy, gloriously unhinged adrenaline rush—a movie that delivers pure catharsis for anyone who thinks punching Nazis will never go out of style.
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The Last Temptation of Becky
(2026)
100%
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Dan Tabor
Cinapse
Jul 22, 2026
The film just seems to drag when they get to the hospital as well, and it never really gets going again.
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Halloween II
(1981)
27%
63%
Dan Tabor
Cinapse
Jul 20, 2026
You are the Film proves that Makoto Ueda’s endlessly clever approach to storytelling still has plenty of surprises left. These microbudget marvels are pure cinematic joy.
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You Are the Film
(2026)
100%
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Dan Tabor
Cinapse
Jul 19, 2026
Informative, nostalgic, and deeply heartfelt, The Origin of Ultraman is essential viewing for both lifelong Ultra fans and anyone curious about why this silver-and-red giant remains one of Japan’s greatest cultural icons.
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The Origin of Ultraman
(2026)
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Dan Tabor
Cinapse
Jul 19, 2026
With Teenage Sex and Death at Camp Miasma, Jane Schoenbrun further cements themselves as not just one of the defining voices in queer cinema, but one of horror’s most vital contemporary filmmakers.
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Teenage Sex and Death at Camp Miasma
(2026)
94%
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Dan Tabor
Cinapse
Jul 19, 2026
Her Private Hell is an intoxicating collision of fairy tale, Greek tragedy, and sadomasochistic fever dream.
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Her Private Hell
(2026)
40%
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Dan Tabor
Cinapse
Jun 19, 2026
Death may be inevitable, but ignorance about it doesn’t have to be. Death Boom is an informative, fascinating, engaging, and unexpectedly empowering documentary that encourages audiences to confront one of life’s certainties
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Death Boom
(2026)
100%
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