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Christopher Long
Movie Metropolis
Jul 7, 2026
It's the kind of gotcha storytelling that drives fans to exclaim “My mind is blown!” and drives me to boredom.
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Following
(1998)
87%
85%
Christopher Long
Movie Metropolis
Dec 13, 2017
8/10
The doomy mood of the final scenes packs a wallop that's missing from Mamet's more contrived narratives.
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Homicide
(1991)
88%
72%
Christopher Long
Movie Metropolis
Jan 29, 2015
10/10
This is a world without design, where characters can no longer single-mindedly pursue goals and resolve problems.
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L'Avventura
(1960)
94%
88%
Christopher Long
Movie Metropolis
Jan 29, 2015
8/10
Martel doesn't try to connect the dots with typical continuity editing either, opting instead to focus on textures and fleeting movements
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La ciénaga
(2001)
87%
79%
Christopher Long
Movie Metropolis
Jan 29, 2015
10/10
You can understand why (Petra Von Kant) is viewed by many as one of Fassbinder's masterpieces. Not bad for ten days' work, anyway.
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The Bitter Tears of Petra von Kant
(1972)
85%
85%
Christopher Long
Movie Metropolis
Jan 29, 2015
8/10
A remembrance of things forgotten.
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My Winnipeg
(2007)
94%
77%
Christopher Long
Movie Metropolis
Sep 23, 2014
8/10
This is a space with ample room for both the living and the dead.
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The Innocents
(1961)
95%
86%
Christopher Long
Movie Metropolis
Sep 23, 2014
8/10
I don't know that there's a clear winner in the contest for Roman Polanski's bleakest depiction of human nature. But "Macbeth" is indisputably in the running.
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Macbeth
(1971)
78%
73%
Christopher Long
Movie Metropolis
Sep 23, 2014
7/10
Whatever delusions of grandeur (Calvi) may have had while climbing the corporate ladder are dispelled by the discovery that he is but a tiny fish among the sharks.
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The Bankers of God: The Calvi Affair
(2002)
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Christopher Long
Movie Metropolis
Sep 23, 2014
7/10
Burt's not your typical entrepreneur. He's not your typical anything.
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Burt's Buzz
(2013)
79%
48%
Christopher Long
Movie Metropolis
Sep 23, 2014
9/10
Sculpted out of blocks of stark light amid pools of impenetrable darkness.
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Eraserhead
(1977)
87%
82%
Christopher Long
Movie Metropolis
Sep 23, 2014
8/10
Crocker crafts a surprisingly suspenseful tale as he follows the battle of experts on each side as well as the more fundamental tug of war between faith and empiricism.
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Ghost Bird
(2009)
91%
73%
Christopher Long
Movie Metropolis
Sep 23, 2014
7/10
The question is whether there's a way to make that freely-available knowledge less... sh***y.
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Truth in Numbers? Everything, According to Wikipedia
(2010)
- -
56%
Christopher Long
Movie Metropolis
Sep 23, 2014
4/10
The film's tone is so campy and off-kilter it's hard to take any of it seriously... it's equally hard to find any of it particularly funny.
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Tie Me Up! Tie Me Down!
(1990)
70%
79%
Christopher Long
Movie Metropolis
Sep 23, 2014
7/10
Ellis emerges from the movie as a complex and thoughtful character. He loved to say and do outrageous things, but seldom did so without a calculated purpose.
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No No: A Dockumentary
(2014)
97%
80%
Christopher Long
Movie Metropolis
Aug 3, 2014
8/10
It might be my least favorite of (Jia's) movies, but I still count it as one of the best films of 2013 which should tell you what I think of this extraordinary filmmaker.
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A Touch of Sin
(2013)
95%
74%
Christopher Long
Movie Metropolis
Aug 3, 2014
10/10
Both a ferocious love story and a tale of the triumph of vital individual faith over ossified and corrupt organized religion.
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Breaking the Waves
(1996)
84%
91%
Christopher Long
Movie Metropolis
Aug 3, 2014
7/10
It's hard to go wrong with footage of the charismatic and abrasive Ali who is not always depicted as a saint
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The Trials of Muhammad Ali
(2013)
88%
85%
Christopher Long
Movie Metropolis
Aug 3, 2014
8/10
Kiarostami still possesses a remarkable knack for crafting vivid supporting characters from just a few details.
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Like Someone in Love
(2012)
83%
60%
Christopher Long
Movie Metropolis
Aug 3, 2014
8/10
Just when loyalty seems to be an entirely perverse and oppressive force in this world of might makes right, the film (shows) there are limits decent men won't cross.
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Red River
(1948)
100%
87%
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