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Blake Crane
Film Pulse
Jul 17, 2019
6.5/10
Strong performances and a tone that seamlessly blends the mundane with danger bubbling underneath hold it all together.
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Kindred Spirits
(2019)
90%
56%
Blake Crane
Film Pulse
Jun 18, 2019
4.5/10
The silliness and starkness don't mesh, leaving the snowbound slow burn a muddled experience that left me cold but not chilled.
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The Lodge
(2019)
75%
51%
Blake Crane
Film Pulse
Jun 17, 2019
8/10
[A] sleazy, gory, full-speed-ahead acid-trip of a movie with a 16mm sheen and reckless punk vibe.
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Bliss
(2019)
86%
62%
Blake Crane
Film Pulse
Jun 15, 2019
3/10
This movie is terrible, destined to be mentioned in "worst ever" lists, and you might love it, especially with a crowd that's able to get on a certain wavelength.
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Verotika
(2019)
22%
15%
Blake Crane
Film Pulse
Jun 15, 2019
5.5/10
Delivering early shocks and a unique take on the demon out for human blood, Belzebuth eventually falls back on standard ... fare that neither pays off nor gels with its strong setup.
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Belzebuth
(2019)
86%
66%
Blake Crane
Film Pulse
Jun 11, 2019
7/10
Like its influences, Satan's Slaves uses strong characters, an emphasis on mood and a few alarming jolts of violence to earn an uneasiness that lingers.
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Blake Crane
Film Pulse
Jun 11, 2019
7/10
Ultimately, the film inspires thought about grander meaning, in addition to creating concern about the fate of all the players.
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Empathy, Inc.
(2018)
89%
86%
Blake Crane
Film Pulse
May 31, 2019
5/10
Spencer fully commits; Ma does not.
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Ma
(2019)
55%
64%
Blake Crane
Film Pulse
May 25, 2019
7.5/10
The Perfection is always intriguing and consistently shocking, the drama and sleaze anchored by fantastic performances that sell every demented twist and turn.
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The Perfection
(2018)
71%
56%
Blake Crane
BlakeCrane.com
May 3, 2019
2/5
The Intruder breaks no new ground in the breaking-in subgenre ... but its real fatal flaw is not using the recycled tropes to push far enough into either true terror or camp.
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The Intruder
(2019)
35%
- -
Blake Crane
BlakeCrane.com
Apr 28, 2019
4/5
[As] a finale to the MCU we've known since 2008's Iron Man, Avengers: Endgame is an exciting, fitting, substantial, almost miraculously eloquent closer.
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Avengers: Endgame
(2019)
94%
- -
Blake Crane
BlakeCrane.com
Apr 23, 2019
3.5/5
[G]enre fans eager for a film to inject some retro-influence into an original modern slasher are likely to see something they like in Girl House.
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Girl House
(2014)
73%
43%
Blake Crane
BlakeCrane.com
Apr 5, 2019
2.5/5
This flat, lifeless version of Pet Sematary is one destined to remain harmlessly buried in the psyche.
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Pet Sematary
(2019)
58%
29%
Blake Crane
BlakeCrane.com
Oct 19, 2018
3.5/5
Does right by [Halloween's] legacy and uses the 40 years of history to incorporate themes of lasting trauma in ways rare to the genre.
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Halloween
(2018)
79%
72%
Blake Crane
BlakeCrane.com
Oct 12, 2018
3.5/5
There's no laborious backstory meted out between repetitive "boo!" moments. Instead, we're thrown right into well-crafted spooky scenarios and constantly left off-balance.
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Terrified
(2017)
82%
68%
Blake Crane
BlakeCrane.com
Sep 28, 2018
3.5/5
[A] fun, well-paced slasher.
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Hell Fest
(2018)
41%
41%
Blake Crane
BlakeCrane.com
Sep 10, 2018
4/5
The anxiety is palpable and various threats are immediately recognizable, communicating how illusory the concept of control is, and how frightening it can be when it's lost.
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Backcountry
(2014)
93%
53%
Blake Crane
BlakeCrane.com
Sep 9, 2018
3.5/5
Ratter keeps its story contained to a simple, increasingly uncomfortable case of online prowling that manifests itself in a real, panic-inducing way.
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Ratter
(2015)
- -
64%
Blake Crane
BlakeCrane.com
Sep 8, 2018
1.5/5
[M]isguided and clunky from the start, beyond even the ever-flowing racist undercurrent.
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Peppermint
(2018)
13%
70%
Blake Crane
Film Pulse
Sep 7, 2018
5/10
Nothing that's built around the Nun's haunting glare fully ignites the nightmare fuel inherent in the image.
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The Nun
(2018)
24%
35%
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