Andy Klein

Andy Klein Los Angeles Times Mar 17, 2026 Amid many excellent low-budget and/or B-movie entries of the time, it was a standout, with Dante’s work supported by John Sayles’ witty script, Rob Bottin’s makeup effects and an effective Pino Donaggio score. Go to Full Review The Howling (1981) 76% 60%

Andy Klein FilmWeek (LAist) Nov 13, 2024 It's quite lovable, and Sally Kirkland gives what I'd have to call an egoless performance. Go to Full Review Sallywood (2024) - - - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 It's very effective, quirky, and with an interesting lead performance. Sci-fi on a totally cerebral level. Go to Full Review Meanwhile on Earth (2024) 82% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 A lovely, uplifting and sentimental film. Go to Full Review The Last Rifleman (2023) 71% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 An effective thriller very much in the pattern of A Quiet Place. Go to Full Review Elevation (2024) 54% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 Cillian Murphy is so underplaying that I frankly wished he would just get on with it. I found this way too slow and close to soporific. Go to Full Review Small Things Like These (2024) 94% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 For the most part I thought it was very good with strong performances all throughout. Given the cast, it's not a big surprise. Go to Full Review The Piano Lesson (2024) 88% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 It's generally quite well-made. It had some leaps of faith at various points that I had trouble taking, but it's effective. Go to Full Review Heretic (2024) 89% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 Really interesting if perhaps overlong. Go to Full Review Soundtrack to a Coup d'État (2024) 97% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 Lovable, silly, dopey and totally enjoyable. Go to Full Review The Gutter (2024) 75% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 An altogether polished film with an interesting subject. Go to Full Review Libre (2024) - - - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 This is a solid Clint Eastwood film with great issues of guilt and social responsibility without hammering you over the head with it. Go to Full Review Juror #2 (2024) 93% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 [Kieran Culkin] is the whole show here. Go to Full Review A Real Pain (2024) 96% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 This is a terrific film that about two-thirds through even gets Dickensian, which really hit me upside the head. Go to Full Review Blitz (2024) 81% - -

Andy Klein FilmWeek (LAist) Nov 13, 2024 An interesting experiment that ended up having a totally uninteresting execution. Go to Full Review Here (2024) 35% - -

Andy Klein FilmWeek (LAist) Nov 3, 2024 I barely consider this a film. Go to Full Review Art Dealers (2023) - - - -

Andy Klein FilmWeek (LAist) Nov 3, 2024 It is exciting while it goes along, but that ending was so off-the-wall that I was left confused, frankly. Go to Full Review House of Spoils (2024) 38% - -

Andy Klein FilmWeek (LAist) Nov 3, 2024 It's quite suspenseful, but boy is it overlong. Go to Full Review Haunted Heart (2024) - - - -

Andy Klein FilmWeek (LAist) Nov 3, 2024 Boy, is it slow moving. I wanted this to speed up... It was so deliberate in its pacing I was having trouble staying focused on it. Go to Full Review All Shall Be Well (2024) 97% - -

Andy Klein FilmWeek (LAist) Nov 3, 2024 It's really quite nicely and sensitively done. Go to Full Review Girls Will Be Girls (2024) 100% - -